Domains, Publics and Access:About - Revision history

MediaWiki spam cleanup: Reverting to last revision not containing links to alumnos47.org/

2020-12-28T18:09:02Z

Reverting to last revision not containing links to alumnos47.org/

Paz: /* Budget */

2017-06-30T21:27:15Z

Budget

Paz: /* Budget */

2017-06-28T23:05:07Z

Budget

Paz: /* Budget */

2017-06-28T23:03:06Z

Budget

Paz: /* Budget */

2017-06-06T18:56:12Z

Budget

Paz: /* Production / Dora Bartilotti (Veracruz, 1988) */

2017-06-06T18:31:38Z

Production / Dora Bartilotti (Veracruz, 1988)

Paz: /* About us */

2017-06-06T18:30:19Z

About us

Paz: /* Budget */

2017-04-17T23:49:23Z

Budget

Paz: /* How this all started */

2017-02-25T21:53:38Z

How this all started

Paz: /* How this all started */

2017-02-25T21:52:46Z

How this all started

@@ Line 7: / Line 7: @@
 From and art history perspective, the problem with access is not new. Art’s access to all areas of life is the burdensome inheritance of the first vanguards that artists and researchers have been struggling with ever since. Perhaps the matter of life’s access to art is a more current one. Regardless of whether it’s about politics, fashion, economics, food, insect sexuality, climate change, war, molecular physics, hunger or the service industry, today’s art is present, standing out in exhibitions, performances, residencies, biennials… linking artistic production with topical issues. Along this line, the old rule for blending art into life seems to have been reversed. Now, it’s become about blending life into art, as if art were the BBC. The result: framing the access problem in relation to contemporary art implied asking not about access to art, but access to everything else.
-Following these concerns, the research for ''Domains, publics and access'' arose in january 2015. A collaboration between [http://alumnos47.org/ Fundación Alumnos47] and the Arts and Humanities Department at [http://www.ler.uam.mx/ Universidad Autónoma Metropolitana - Unidad Lerma].
+Following these concerns, the research for Domains, publics and access arose in january 2015. A collaboration between Fundación Alumnos47 and the Arts and Humanities Department at Universidad Autónoma Metropolitana - Lerma.
 Paz Sastre
@@ Line 22: / Line 22: @@
 | Godaddy Domain || $169.00 year|| 3 years || $507
 |-
-| Server 1 || $452.40 year || 1 year || $452.40
+| Server || $452.40 year || 1 year || $452.40
 |-
 | Text Publishing || $5,000.00 article || 4 articles || $20,000.00
 |-
 | Gabriela Ceja - Research Assistant || $3,000.00 month || 17 months || $51,000.00
 |-
 | Paz Sastre - Coordinator || $20,000.00 project || project || $20,000.00
@@ Line 38: / Line 32: @@
 | Alan Lazalde - Programming || $16,000.00 wiki || wiki || $16,000.00
 |-
-| Postcards || $2.494 || 1000 || $2,494.00
+| Postcards || 0000 || 0000 || 0000
 |-
-| Meetings Moderators || $3,000.00 1 meeting || 12 meetings || $36,000.00
+| Conference Moderators || $3,000.00 1 meeting || 12 meetings || $36,000.00
 |-
-| Meetings Streaming || $3,364.00  || 12 meetings || $40,368
+| Publishing || 0000 || 0000 || 0000
 |-
-| Nastia Huerta || $0,40 word || 26,080 words || $15,520.00
+| Translation || $0,40 word || 12,500.00 words || $5,000.00
 |-
 |}
-Budget implemented from January 2015 to June 2017:  $196,352.62
+Budget implemented from January 2015 to February 2017: $114,585.62
 == About us ==
@@ Line 74: / Line 68: @@
 Aisel is the project’s main supporter and has been with us from the beginning as a liason for Fundación Alumnos 47.
 She is an artist and cultural agent. Her production stems from collaborative processes towards technical appropriation, drawing, experimental film, animation, installations and permormance interventions in educational spaces. She is a co-founder of Luz y Fuerza, a light-examining collective she’s worked with in Mexico City since 2012. Luz y Fuerza was part of an international live-cinema group called Trinchera Ensamble from 2006 to 2011. She has conducted many workshop at home and abroad. Her work has been showcased in locations such as Centro Nacional de las Artes, Teatro de la Ciudad Esperanza Iris, Cineteca Nacional, Museo del Chopo, Museo de la Ciudad de México, Centro Cultural de España both in Mexico and Argentina, the FAC and the Engelman Ost Collection in Uruguay, Cinema La Cleff in Paris, the Sammlung Essl and the MuseumsQuartier in Vienna, Austria. She’s been supported through grants by the Multimedia Center at CENART-INBA in 2012, the BBVA-Bancomer Foundation in 2009 and the PAPIIT-UNAM program from 2007 to 2009.

@@ Line 32: / Line 32: @@
 | Miguel Errazu - Editing || $4,000 x month || 2 months || $8,000
 |-
-| Eva Gómez - Editing || $4,000 x month || 2 months || $8,000
+| Eva Gómez - Editing || $4,000 x month || 4 months || $16,000
 |-
 | Paz Sastre - Coordinator || $20,000.00 project || project || $20,000.00
@@ Line 48: / Line 48: @@
 |}
-Budget implemented from January 2015 to June 2017:  $188,352.62
+Budget implemented from January 2015 to June 2017:  $196,352.62
 == About us ==

@@ Line 38: / Line 38: @@
 | Alan Lazalde - Programming || $16,000.00 wiki || wiki || $16,000.00
 |-
-| Postcards || xxxx || 1000 || $2,494.00
+| Postcards || $2.494 || 1000 || $2,494.00
 |-
 | Meetings Moderators || $3,000.00 1 meeting || 12 meetings || $36,000.00
@@ Line 44: / Line 44: @@
 | Meetings Streaming || $3,364.00  || 12 meetings || $40,368
 |-
-| Translation || $0,40 word || 26,080 words || $15,520.00
+| Nastia Huerta || $0,40 word || 26,080 words || $15,520.00
 |-
 |}

@@ Line 44: / Line 44: @@
 | Meetings Streaming || $3,364.00  || 12 meetings || $40,368
 |-
-| Translation || $0,40 word || 12,500.00 words || $5,000.00
+| Translation || $0,40 word || 26,080 words || $15,520.00
 |-
 |}
-Budget implemented from January 2015 to June 2017:  $177,832.62
+Budget implemented from January 2015 to June 2017:  $188,352.62
 == About us ==

@@ Line 22: / Line 22: @@
 | Godaddy Domain || $169.00 year|| 3 years || $507
 |-
-| Server || $452.40 year || 1 year || $452.40
+| Server 1 || $452.40 year || 1 year || $452.40
 |-
 | Text Publishing || $5,000.00 article || 4 articles || $20,000.00
@@ Line 36: / Line 38: @@
 | Alan Lazalde - Programming || $16,000.00 wiki || wiki || $16,000.00
 |-
-| Postcards || 0000 || 0000 || 0000
+| Postcards || xxxx || 1000 || $2,494.00
 |-
-| Conference Moderators || $3,000.00 1 meeting || 12 meetings || $36,000.00
+| Meetings Moderators || $3,000.00 1 meeting || 12 meetings || $36,000.00
 |-
-| Publishing || 0000 || 0000 || 0000
+| Meetings Streaming || $3,364.00  || 12 meetings || $40,368
 |-
 | Translation || $0,40 word || 12,500.00 words || $5,000.00
@@ Line 46: / Line 48: @@
 |}
-Budget implemented from January 2015 to April 2017: $130,585.62
+Budget implemented from January 2015 to June 2017:  $177,832.62
 == About us ==

← Older revision		Revision as of 18:31, 6 June 2017
Line 76:		Line 76:

	Dora enters the project a little bit later to help as to coordinate the Meetings and since then she becomes a full member.		Dora enters the project a little bit later to help as to coordinate the Meetings and since then she becomes a full member.
−	She is a Mexican audiovisual artist who works and lives in Mexico City. She studied Design and Visual Communication at the Faculty of Arts and Design (UNAM) with specialization in Audiovisual and Multimedia. His production and research is developed in the field of design, audiovisual, electronic and performing art practices. She is co-founder and General Coordinator of BINARIO: International Festival of Art, Design and New Media Culture and was member of transdisciplinary Mexican collective #FFFF (2011-2014). He has taught courses and conferences about art-technology hybridization and in relation to the transdisciplinary creation, as well as participated in exhibitions and audiovisual presentations in spaces and events such as: Laboratorio Arte Alameda, Bellas Artes, Franz Mayer Museum, Intel Computer Clubhouse Mx, Centro Multimedia, Centro de Cultura Digital, Cineteca Nacional, FAD-UNAM, MUTEK Mx, Symposium on Music and Code / * VIVO * /, among others. In 2015 it was selected in the category of Technology, for the We are creators project of Chrysler 200. He is currently part of the Educational Research area at Alumnos47 ~~foundation~~.	+	She is a Mexican audiovisual artist who works and lives in Mexico City. She studied Design and Visual Communication at the Faculty of Arts and Design (UNAM) with specialization in Audiovisual and Multimedia. His production and research is developed in the field of design, audiovisual, electronic and performing art practices. She is co-founder and General Coordinator of BINARIO: International Festival of Art, Design and New Media Culture and was member of transdisciplinary Mexican collective #FFFF (2011-2014). He has taught courses and conferences about art-technology hybridization and in relation to the transdisciplinary creation, as well as participated in exhibitions and audiovisual presentations in spaces and events such as: Laboratorio Arte Alameda, Bellas Artes, Franz Mayer Museum, Intel Computer Clubhouse Mx, Centro Multimedia, Centro de Cultura Digital, Cineteca Nacional, FAD-UNAM, MUTEK Mx, Symposium on Music and Code / * VIVO * /, among others. In 2015 it was selected in the category of Technology, for the "We are creators" project of Chrysler 200. He is currently part of the Educational Research area at Alumnos47 Foundation.

← Older revision		Revision as of 18:30, 6 June 2017
Line 72:		Line 72:
	Aisel is the project’s main supporter and has been with us from the beginning as a liason for Fundación Alumnos 47.		Aisel is the project’s main supporter and has been with us from the beginning as a liason for Fundación Alumnos 47.
	She is an artist and cultural agent. Her production stems from collaborative processes towards technical appropriation, drawing, experimental film, animation, installations and permormance interventions in educational spaces. She is a co-founder of Luz y Fuerza, a light-examining collective she’s worked with in Mexico City since 2012. Luz y Fuerza was part of an international live-cinema group called Trinchera Ensamble from 2006 to 2011. She has conducted many workshop at home and abroad. Her work has been showcased in locations such as Centro Nacional de las Artes, Teatro de la Ciudad Esperanza Iris, Cineteca Nacional, Museo del Chopo, Museo de la Ciudad de México, Centro Cultural de España both in Mexico and Argentina, the FAC and the Engelman Ost Collection in Uruguay, Cinema La Cleff in Paris, the Sammlung Essl and the MuseumsQuartier in Vienna, Austria. She’s been supported through grants by the Multimedia Center at CENART-INBA in 2012, the BBVA-Bancomer Foundation in 2009 and the PAPIIT-UNAM program from 2007 to 2009.		She is an artist and cultural agent. Her production stems from collaborative processes towards technical appropriation, drawing, experimental film, animation, installations and permormance interventions in educational spaces. She is a co-founder of Luz y Fuerza, a light-examining collective she’s worked with in Mexico City since 2012. Luz y Fuerza was part of an international live-cinema group called Trinchera Ensamble from 2006 to 2011. She has conducted many workshop at home and abroad. Her work has been showcased in locations such as Centro Nacional de las Artes, Teatro de la Ciudad Esperanza Iris, Cineteca Nacional, Museo del Chopo, Museo de la Ciudad de México, Centro Cultural de España both in Mexico and Argentina, the FAC and the Engelman Ost Collection in Uruguay, Cinema La Cleff in Paris, the Sammlung Essl and the MuseumsQuartier in Vienna, Austria. She’s been supported through grants by the Multimedia Center at CENART-INBA in 2012, the BBVA-Bancomer Foundation in 2009 and the PAPIIT-UNAM program from 2007 to 2009.
		+
		+	=== Production / Dora Bartilotti (Veracruz, 1988) ===
		+
		+	Dora enters the project a little bit later to help as to coordinate the Meetings and since then she becomes a full member.
		+	She is a Mexican audiovisual artist who works and lives in Mexico City. She studied Design and Visual Communication at the Faculty of Arts and Design (UNAM) with specialization in Audiovisual and Multimedia. His production and research is developed in the field of design, audiovisual, electronic and performing art practices. She is co-founder and General Coordinator of BINARIO: International Festival of Art, Design and New Media Culture and was member of transdisciplinary Mexican collective #FFFF (2011-2014). He has taught courses and conferences about art-technology hybridization and in relation to the transdisciplinary creation, as well as participated in exhibitions and audiovisual presentations in spaces and events such as: Laboratorio Arte Alameda, Bellas Artes, Franz Mayer Museum, Intel Computer Clubhouse Mx, Centro Multimedia, Centro de Cultura Digital, Cineteca Nacional, FAD-UNAM, MUTEK Mx, Symposium on Music and Code / * VIVO * /, among others. In 2015 it was selected in the category of Technology, for the We are creators project of Chrysler 200. He is currently part of the Educational Research area at Alumnos47 foundation.