Domains, Publics and Access:General disclaimer - Revision history

MediaWiki spam cleanup: Reverting to last revision not containing links to creativecommons.org/licenses/by-nc-sa/3.0/

2020-12-28T18:12:08Z

Reverting to last revision not containing links to creativecommons.org/licenses/by-nc-sa/3.0/

Paz at 21:18, 28 December 2016

2016-12-28T21:18:18Z

Paz at 19:12, 28 December 2016

2016-12-28T19:12:36Z

Paz at 19:11, 28 December 2016

2016-12-28T19:11:36Z

Paz at 19:06, 28 December 2016

2016-12-28T19:06:03Z

Paz at 19:05, 28 December 2016

2016-12-28T19:05:01Z

Paz at 18:57, 28 December 2016

2016-12-28T18:57:12Z

Paz: Created page with "'''Peer Production License'''"

2016-12-28T18:51:17Z

Created page with "'''Peer Production License'''"

New page

'''Peer Production License'''

@@ Line 1: / Line 1: @@
 The research project "Domains, public and access" is a public-private initiative resulting from the collaboration between the Department of Art and Humanities of the Universidad Autónoma Metropolitana - Unidad Lerma and the Alumnos47 Foundation. Both institutions are committed to maintaining the site that houses the collection of projects http://dpya.org and subscribe the model of Peer Production License for the management of its contents.
-All content that has been expressly produced by "Domains, public and access" and published in the wiki http://dpya.org subscribe the Peer Production License whose terms and conditions are described below. The Peer Production License created by John Magyar, BA, JD and Dmytri Kleiner is a copyrighted license model, derived from the Creative Commons Attribution-Noncommercial-Share Alike 3.0 Unported license: https://creativecommons.org/licenses/by-nc-sa/3.0/
+All content that has been expressly produced by "Domains, public and access" and published in the wiki http://dpya.org subscribe the Peer Production License whose terms and conditions are described below. The Peer Production License created by John Magyar, BA, JD and Dmytri Kleiner is a copyrighted license model, derived from the Creative Commons Attribution-Noncommercial-Share Alike 3.0 Unported license: http://creativecommons.org/licenses/ By-nc-sa / 3.0 /
 The contents of the "Domains, public and access" research project (http://dpya.org) that have been produced and published by other authors are not subject to the Peer Production License. All contents produced by third parties that have been cataloged, preserved and documented in the wiki have their own licenses. To these effects those interested in making use of the contents produced by third parties must comply with the conditions subscribed in the particular licenses that they have chosen.

@@ Line 1: / Line 1: @@
 The research project "Domains, public and access" is a public-private initiative resulting from the collaboration between the Department of Art and Humanities of the Universidad Autónoma Metropolitana - Unidad Lerma and the Alumnos47 Foundation. Both institutions are committed to maintaining the site that houses the collection of projects http://dpya.org and subscribe the model of Peer Production License for the management of its contents.
-All content that has been expressly produced by "Domains, public and access" and published in the wiki http://dpya.org subscribe the Peer Production License whose terms and conditions are described below. The Peer Production License created by John Magyar, BA, JD and Dmytri Kleiner is a copyrighted license model, derived from the Creative Commons Attribution-Noncommercial-Share Alike 3.0 Unported license: http://creativecommons.org/licenses/ By-nc-sa / 3.0 /
+All content that has been expressly produced by "Domains, public and access" and published in the wiki http://dpya.org subscribe the Peer Production License whose terms and conditions are described below. The Peer Production License created by John Magyar, BA, JD and Dmytri Kleiner is a copyrighted license model, derived from the Creative Commons Attribution-Noncommercial-Share Alike 3.0 Unported license: https://creativecommons.org/licenses/by-nc-sa/3.0/
 The contents of the "Domains, public and access" research project (http://dpya.org) that have been produced and published by other authors are not subject to the Peer Production License. All contents produced by third parties that have been cataloged, preserved and documented in the wiki have their own licenses. To these effects those interested in making use of the contents produced by third parties must comply with the conditions subscribed in the particular licenses that they have chosen.

← Older revision		Revision as of 19:12, 28 December 2016
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	f. The rights granted under, and the subject matter referenced, in this License were draft-ed utilizing the terminology of the Berne Convention for the Protection of Literary and Artistic Works (as amended on September 28, 1979), the Rome Convention of 1961, the WIPO Copyright Treaty of 1996, the WIPO Performances and Phonograms Treaty of 1996 and the Universal Copyright Convention (as revised on July 24, 1971). These rights and subject matter take effect in the relevant jurisdiction in which the License terms are sought to be enforced according to the corresponding provisions of the implemen-tation of those treaty provisions in the applicable national law. If the standard suite of rights granted under applicable copyright law includes additional rights not granted under this License, such additional rights are deemed to be included in the License; this License is not intended to restrict the license of any rights under applicable law.		f. The rights granted under, and the subject matter referenced, in this License were draft-ed utilizing the terminology of the Berne Convention for the Protection of Literary and Artistic Works (as amended on September 28, 1979), the Rome Convention of 1961, the WIPO Copyright Treaty of 1996, the WIPO Performances and Phonograms Treaty of 1996 and the Universal Copyright Convention (as revised on July 24, 1971). These rights and subject matter take effect in the relevant jurisdiction in which the License terms are sought to be enforced according to the corresponding provisions of the implemen-tation of those treaty provisions in the applicable national law. If the standard suite of rights granted under applicable copyright law includes additional rights not granted under this License, such additional rights are deemed to be included in the License; this License is not intended to restrict the license of any rights under applicable law.

−	The Peer Production License has been extracted from: http://dpya.org/wiki/index.php/Dmytri_Kleiner_(2010)_The_Telekommunist_Manifesto	+	'''The Peer Production License has been extracted from: http://dpya.org/wiki/index.php/Dmytri_Kleiner_(2010)_The_Telekommunist_Manifesto'''

← Older revision		Revision as of 19:11, 28 December 2016
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		+	The research project "Domains, public and access" is a public-private initiative resulting from the collaboration between the Department of Art and Humanities of the Universidad Autónoma Metropolitana - Unidad Lerma and the Alumnos47 Foundation. Both institutions are committed to maintaining the site that houses the collection of projects http://dpya.org and subscribe the model of Peer Production License for the management of its contents.
		+
		+	All content that has been expressly produced by "Domains, public and access" and published in the wiki http://dpya.org subscribe the Peer Production License whose terms and conditions are described below. The Peer Production License created by John Magyar, BA, JD and Dmytri Kleiner is a copyrighted license model, derived from the Creative Commons Attribution-Noncommercial-Share Alike 3.0 Unported license: http://creativecommons.org/licenses/ By-nc-sa / 3.0 /
		+
		+	The contents of the "Domains, public and access" research project (http://dpya.org) that have been produced and published by other authors are not subject to the Peer Production License. All contents produced by third parties that have been cataloged, preserved and documented in the wiki have their own licenses. To these effects those interested in making use of the contents produced by third parties must comply with the conditions subscribed in the particular licenses that they have chosen.
		+
	'''Peer Production License'''		'''Peer Production License'''

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	f. The rights granted under, and the subject matter referenced, in this License were draft-ed utilizing the terminology of the Berne Convention for the Protection of Literary and Artistic Works (as amended on September 28, 1979), the Rome Convention of 1961, the WIPO Copyright Treaty of 1996, the WIPO Performances and Phonograms Treaty of 1996 and the Universal Copyright Convention (as revised on July 24, 1971). These rights and subject matter take effect in the relevant jurisdiction in which the License terms are sought to be enforced according to the corresponding provisions of the implemen-tation of those treaty provisions in the applicable national law. If the standard suite of rights granted under applicable copyright law includes additional rights not granted under this License, such additional rights are deemed to be included in the License; this License is not intended to restrict the license of any rights under applicable law.		f. The rights granted under, and the subject matter referenced, in this License were draft-ed utilizing the terminology of the Berne Convention for the Protection of Literary and Artistic Works (as amended on September 28, 1979), the Rome Convention of 1961, the WIPO Copyright Treaty of 1996, the WIPO Performances and Phonograms Treaty of 1996 and the Universal Copyright Convention (as revised on July 24, 1971). These rights and subject matter take effect in the relevant jurisdiction in which the License terms are sought to be enforced according to the corresponding provisions of the implemen-tation of those treaty provisions in the applicable national law. If the standard suite of rights granted under applicable copyright law includes additional rights not granted under this License, such additional rights are deemed to be included in the License; this License is not intended to restrict the license of any rights under applicable law.
		+
		+	The Peer Production License has been extracted from: http://dpya.org/wiki/index.php/Dmytri_Kleiner_(2010)_The_Telekommunist_Manifesto

@@ Line 49: / Line 49: @@
 c. You may exercise the rights granted in Section 3 for commercial purposes only if:
-   i. You are a worker-owned business or worker-owned collective; and
-   ii. all ﬁnancial gain, surplus, proﬁts and beneﬁts produced by the business or collec-tive are distributed among the worker-owners
+- i. You are a worker-owned business or worker-owned collective; and
 d. Any use by a business that is privately owned and managed, and that seeks to generate proﬁt from the labor of employees paid by salary or other wages, is not permitted under this license.
@@ Line 57: / Line 59: @@
 f. For the avoidance of doubt:
-   i. Non-waivable Compulsory License Schemes. In those jurisdictions in which the right to collect royalties through any statutory or  compulsory licensing scheme can-not be waived, the Licensor reserves the exclusive right to collect such royalties for any exercise by You of the rights granted under this License;
-   ii. Waivable Compulsory License Schemes. In those jurisdictions in which the right to collect royalties through any statutory or compulsory licensing scheme can be waived, the Licensor reserves the exclusive right to collect such royalties for any ex-ercise by You of the rights granted under this License if Your exercise of such rights is for a purpose or use which is otherwise than noncommercial as permitted under Section 4(b) and otherwise waives the right to collect royalties through any statutory or compulsory licensing scheme; and,
+- i. Non-waivable Compulsory License Schemes. In those jurisdictions in which the right to collect royalties through any statutory or  compulsory licensing scheme can-not be waived, the Licensor reserves the exclusive right to collect such royalties for any exercise by You of the rights granted under this License;
-   iii. Voluntary License Schemes. The Licensor reserves the right to collect royalties, whether individually or, in the event that the Licensor is a member of a collecting society that administers voluntary licensing schemes, via that society, from any exer-cise by You of the rights granted under this License that is for a purpose or use which is otherwise than noncommercial as permitted under Section 4(b).
 g. Except as otherwise agreed in writing by the Licensor or as may be otherwise permitted by applicable law, if You Reproduce, Distribute or Publicly Perform the Work either by itself or as part of any Adaptations or Collections, You must not distort, mutilate, modify or take other derogatory action in relation to the Work which would be prejudi-cial to the Original Author’s honor or reputation. Licensor agrees that in those jurisdictions (e.g. Japan), in which any exercise of the right granted in Section 3(b) of this Li-cense (the right to make Adaptations) would be deemed to be a distortion, mutilation, modiﬁcation or other derogatory action prejudicial to the Original Author’s honor and reputation, the Licensor will waive or not assert, as appropriate, this Section, to the fullest extent permitted by the applicable national law, to enable You to reasonably ex-ercise Your right under Section 3(b) of this License (right to make Adaptations) but not otherwise.

@@ Line 4: / Line 4: @@
 BY EXERCISING ANY RIGHTS TO THE WORK PROVIDED IN THIS LI-CENSE, YOU AGREE TO BE BOUND BY THE TERMS OF THIS LICENSE. TO THE EXTENT THIS LICENSE MAY BE CONSIDERED TO BE A CON-TRACT, THE LICENSOR GRANTS YOU THE RIGHTS CONTAINED HERE IN AS CONSIDERATION FOR ACCEPTING THE TERMS AND CONDI-TIONS OF THIS LICENSE AND FOR AGREEING TO BE BOUND BY THE TERMS AND CONDITIONS OF THIS LICENSE.
-. DEFINITIONS
+'''1. DEFINITIONS'''
 a. “Adaptation” means a work based upon the Work, or upon the Work and other pre-ex-isting works, such as a translation, adaptation, derivative work, arrangement of music or other alterations of a literary or artistic work, or phonogram or performance and includes cinematographic adaptations or any other form in which the Work may be recast, trans-formed, or adapted including in any form recognizably derived from the original, except that a work that constitutes a Collection will not be considered an Adaptation for the pur-pose of this License. For the avoidance of doubt, where the Work is a musical work, perfor-mance or phonogram, the synchronization of the Work in timed-relation with a moving image (“synching”) will be considered an Adaptation for the purpose of this License.
@@ Line 23: / Line 23: @@
 i. “Reproduce” means to make copies of the Work by any means including without limi-tation by sound or visual recordings and the right of ﬁxation and reproducing ﬁxations of the Work, including storage of a protected performance or phonogram in digital form or other electronic medium.

← Older revision		Revision as of 18:57, 28 December 2016
Line 1:		Line 1:
	'''Peer Production License'''		'''Peer Production License'''
		+
		+	THE WORK (AS DEFINED BELOW) IS PROVIDED UNDER THE TERMS OF THIS COPYFARLEFT PUBLIC LICENSE (“LICENSE”). THE WORK IS PROTECTED BY COPYRIGHT AND ALL OTHER APPLICABLE LAWS. ANY USE OF THE WORK OTHER THAN AS AUTHORIZED UNDER THIS LICENSE OR COPYRIGHT LAW IS PROHIBITED.
		+	BY EXERCISING ANY RIGHTS TO THE WORK PROVIDED IN THIS LI-CENSE, YOU AGREE TO BE BOUND BY THE TERMS OF THIS LICENSE. TO THE EXTENT THIS LICENSE MAY BE CONSIDERED TO BE A CON-TRACT, THE LICENSOR GRANTS YOU THE RIGHTS CONTAINED HERE IN AS CONSIDERATION FOR ACCEPTING THE TERMS AND CONDI-TIONS OF THIS LICENSE AND FOR AGREEING TO BE BOUND BY THE TERMS AND CONDITIONS OF THIS LICENSE.
		+
		+	1. DEFINITIONS
		+
		+	a. “Adaptation” means a work based upon the Work, or upon the Work and other pre-ex-isting works, such as a translation, adaptation, derivative work, arrangement of music or other alterations of a literary or artistic work, or phonogram or performance and includes cinematographic adaptations or any other form in which the Work may be recast, trans-formed, or adapted including in any form recognizably derived from the original, except that a work that constitutes a Collection will not be considered an Adaptation for the pur-pose of this License. For the avoidance of doubt, where the Work is a musical work, perfor-mance or phonogram, the synchronization of the Work in timed-relation with a moving image (“synching”) will be considered an Adaptation for the purpose of this License.
		+
		+	b. “Collection” means a collection of literary or artistic works, such as encyclopedias and anthologies, or performances, phonograms or broadcasts, or other works or subject matter other than works listed in Section 1(f) below, which, by reason of the selection and arrangement of their contents, constitute intellectual creations, in which the Work is included in its entirety in unmodiﬁed form along with one or more other con-tributions, each constituting separate and independent works in themselves, which together are assembled into a collective whole. A work that constitutes a Collection will not be considered an Adaptation (as deﬁned above) for the purposes of this License.
		+
		+	c. “Distribute” means to make available to the public the original and copies of the Work or Adaptation, as appropriate, through sale, gift or any other transfer of possession or ownership.
		+
		+	d. “Licensor” means the individual, individuals, entity or entities that offer(s) the Work under the terms of this License.
		+
		+	e. “Original Author” means, in the case of a literary or artistic work, the individual, in-dividuals, entity or entities who created the Work or if no individual or entity can be identiﬁed, the publisher; and in addition (i) in the case of a performance the actors, singers, musicians, dancers, and other persons who act, sing, deliver, declaim, play in, interpret or otherwise perform literary or artistic works or expressions of folklore; (ii) in the case of a phonogram the producer being the person or legal entity who ﬁrst ﬁxes the sounds of a performance or other sounds; and, (iii) in the case of broadcasts, the organization that transmits the broadcast.
		+
		+	f. “Work” means the literary and/or artistic work offered under the terms of this License including without limitation any production in the literary, scientiﬁc and artistic domain, whatever may be the mode or form of its expression including digital form, such as a book, pamphlet and other writing; a lecture, address, sermon or other work of the same nature; a dramatic or dramatico-musical work; a choreographic work or entertainment in dumb show; a musical composition with or without words; a cin-ematographic work to which are assimilated works expressed by a process analogous to cinematography; a work of drawing, painting, architecture, sculpture, engraving or lithography; a photographic work to which are assimilated works expressed by a pro-cess analogous to photography; a work of applied art; an illustration, map, plan, sketch or three-dimensional work relative to geography, topography, architecture or science; a performance; a broadcast; a phonogram; a compilation of data to the extent it is pro-tected as a copyrightable work; or a work performed by a variety or circus performer to the extent it is not otherwise considered a literary or artistic work.
		+
		+	g. “You” means an individual or entity exercising rights under this License who has not previously violated the terms of this License with respect to the Work, or who has received express permission from the Licensor to exercise rights under this License despite a previous violation.
		+
		+	h. “Publicly Perform” means to perform public recitations of the Work and to commu-nicate to the public those public recitations, by any means or process, including by wire or wireless means or public digital performances; to make available to the public Works in such a way that members of the public may access these Works from a place and at a place individually chosen by them; to perform the Work to the public by any means or process and the communication to the public of the performances of the Work, including by public digital performance; to broadcast and rebroadcast the Work by any means including signs, sounds or images.
		+
		+	i. “Reproduce” means to make copies of the Work by any means including without limi-tation by sound or visual recordings and the right of ﬁxation and reproducing ﬁxations of the Work, including storage of a protected performance or phonogram in digital form or other electronic medium.