Fran Ilich - Revision history

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Eva at 19:45, 30 January 2017

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Eva: Fran Ilich

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Fran Ilich

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 https://archive.org/details/FranIlich
-Proyecto:http://aridoamerica.org/
+Web: http://franilich.com/
 Fran Ilich Morales is a Mexican writer and media artist who principally works on the theory and practice of narrative media. Born in 1975, during the early 1990s he co-founded the Contra-Cultura (menor) collective and was involved in the independent media scene in Tijuana—mainly the cyberpunk scene—where he was known to be an eclectic producer working with literature, photography, comics, videofilms and electronic music. Because of this, he was identified as part of the Generation X of Mexican literature, with other writers like Guillermo Fadanelli & Naief Yehya. In 1995 he began publishing Cinemátik, a printed tabloid on urban electronic culture. In 1996 he was a screenwriter for Discovery Channel Interacción, a show produced by Beatriz Acevedo. In 1997 he published his first novel, Metro-Pop. In 1998 he was signed by Digital Entertainment Network as creator for a series of 6-minute shows targeting young Latino audiences. However, the series never was produced, as the multimedia dot-com company and internet pioneer went bankrupt. The same year, along with other members of Laboratorios Cinemátik, he produced Cinemátik 1.0, which is considered to be the first cyberculture festival in Latin America. He was part of the initial group of artists and producers who founded Nortec, though he distanced himself from this scene in 1999 and moved to Berlin. There, he became involved with Nettime, collaborating with Florian Schneider, Geert Lovink, Natalie Bookchin, Pit Schultz, Ricardo Dominguez and Alexei Shulgin.
@@ Line 12: / Line 14: @@
 Since 2010 Ilich has focused on the cooperative media conglomerate Diego de la Vega and its virtual community investment bank Spacebank.[8] Since 2011 he has been a Fellow at Eyebeam.[9] Ilich is completing an M.A. in the Media Art History program in Donau-Universität Krems in Austria, where he holds the 2010 Leonardo Foundation scholarship.[10] His most recent book is an extended essay on radical political imagination and narrative across media. Titled "Otra Narr@tiva es Posible: La imaginacion política en la era del internet" [Another Narr@ative is Possible: Political Imagination in the Internet Age]. It was published by Recovecos in Argentina in 2011 and is forthcoming from The Institute of Network Cultures in Amsterdam.
+Personal life
 Fuente:

@@ Line 1: / Line 1: @@
-Held in New York by Paz Sastre on September 7, 2014.
+Entrevista: NY 07/09/2014
 https://archive.org/details/FranIlich
-'''Language:'''
+Fran Ilich Morales is a Mexican writer and media artist who principally works on the theory and practice of narrative media. Born in 1975, during the early 1990s he co-founded the Contra-Cultura (menor) collective and was involved in the independent media scene in Tijuana—mainly the cyberpunk scene—where he was known to be an eclectic producer working with literature, photography, comics, videofilms and electronic music. Because of this, he was identified as part of the Generation X of Mexican literature, with other writers like Guillermo Fadanelli & Naief Yehya. In 1995 he began publishing Cinemátik, a printed tabloid on urban electronic culture. In 1996 he was a screenwriter for Discovery Channel Interacción, a show produced by Beatriz Acevedo. In 1997 he published his first novel, Metro-Pop. In 1998 he was signed by Digital Entertainment Network as creator for a series of 6-minute shows targeting young Latino audiences. However, the series never was produced, as the multimedia dot-com company and internet pioneer went bankrupt. The same year, along with other members of Laboratorios Cinemátik, he produced Cinemátik 1.0, which is considered to be the first cyberculture festival in Latin America. He was part of the initial group of artists and producers who founded Nortec, though he distanced himself from this scene in 1999 and moved to Berlin. There, he became involved with Nettime, collaborating with Florian Schneider, Geert Lovink, Natalie Bookchin, Pit Schultz, Ricardo Dominguez and Alexei Shulgin.
-'''Source:'''
+As an artist, Ilich has presented his work as a media artist at cultural institutions and international art and media festivals throughout Europe and the Americas (e.g. Transmediale, Ars Electronica, Berlinale Talent Campus, Walker Art Center,[3] InSite 05,[4] Copenhagen International Documentary Film Festival, Streaming Cinema Festival, Antidoto at Itau Cultural,[5] International Festival of New Film Split, Salón Internacional de Arte Digital de la Habana, among others. Ilich has also presented his work in other fora: In 2009 he was a keynote speaker at the EZLN's first Festival Mundial de la Digna Rabia (first World Festival of Dignified Rage) on a panel on "Otra Comunicación, Otra Cultura", along with Subcomandante Marcos, Comandante Zebedeo, Hermann Bellinghausen, Gloría Muñoz, Sergío Ramírez Lazcano, Francisco Barrios "El Mastuerzo" and Roco of Maldita Vecindad.[6] In 2011 he presented his project Diego de la Vega and Spacebank at The Economist 2011 conference in Mexico City, "Change from the Bottom Up."[7]
-http://www.literatura.bellasartes.gob.mx/acervos/index.php/catalogo-biobibliografico/1593
+Since 2010 Ilich has focused on the cooperative media conglomerate Diego de la Vega and its virtual community investment bank Spacebank.[8] Since 2011 he has been a Fellow at Eyebeam.[9] Ilich is completing an M.A. in the Media Art History program in Donau-Universität Krems in Austria, where he holds the 2010 Leonardo Foundation scholarship.[10] His most recent book is an extended essay on radical political imagination and narrative across media. Titled "Otra Narr@tiva es Posible: La imaginacion política en la era del internet" [Another Narr@ative is Possible: Political Imagination in the Internet Age]. It was published by Recovecos in Argentina in 2011 and is forthcoming from The Institute of Network Cultures in Amsterdam.
-* Although you will listen the opposite, we ask permission later to Fran to publish the interview as it was done and granted it to us.
+Fuente:
-[[Category:Interviews]]
+[[Categoría:Entrevistas]]
-[[Category:Spanish]]
+[[Categoría:Español]]
-[[Category:Mexico]]
+[[Categoría:2014]]
-[[Category:USA]]
+[[Categoría:Fran Ilich]]

@@ Line 36: / Line 36: @@
 '''Curriculum vitae:'''
-Fran Ilich is a media-artist, essayist and novelist. He is the author of the novels Metro-pop and Tekno Guerrilla. His forthcoming novel Circa 94 won the binational award Frontera de Palabras / Border of Words and his book-length essay Otra narrativa es posible will also be published this year. He is currently working on a book about the material and ideological possibilities for narrative in the digital age with a year-long fellowship from FONCA. (...) He is currently working on Diego de la Vega, a cooperative media conglomerate that includes a web server (Possibleworlds.org), a virtual community investment bank (http://Spacebank.org), a research and development initiative on narrative media (http://Ficcion.de), a collective online radio (http://Radiolatina.am), a community newspaper from Tijuana (http://elzorro.org), the think-tank Collective Intelligence Agency (http://ci-a.info) and the Brooklyn Stock Exchange, among other enterprises.
+Nació en Tijuana, Baja California, en 1975. Escritor y artista multimedia. Su trabajo se ubica entre la contracultura y la subversión creativa de los medios masivos de comunicación. Ha dirigido seminarios de narrativa interdisciplinaria en medios digitales en Sevilla, España y en Odense, Dinamarca, y coordinado talleres como Youth Creating and Communicating on HIV/AIDS, dirigido a niños de la calle y patrocinado por la UNESCO. Fue profesor invitado en la maestría interdisciplinaria de estudios latinoamericanos de Universität Wien y Latinameirika Institut (Austria), y en el curso Digital Storytelling en Malmó Högskola (Suecia). Fue también investigador del Centro Multimedia del CENART. Fue guionista del programa Interacción, transmitido por Discovery Channel. Fue editor de la revista Sputink, dedicada a la cultura digital. Ha dirigido festivales como Cinemátik 1.0 (primer Festival de Cybercultura en Latinoamérica) y Borderhack (...) Su libro Metro-Pop fue seleccionado para formar parte del proyecto Biblioteca de Aula de la SEP. Participó en la antología Historias para habitar, publicada por Ediciones SM en 2004.
 '''Source:'''
-http://archive.eyebeam.org/people/fran-ilich
+http://www.literatura.bellasartes.gob.mx/acervos/index.php/catalogo-biobibliografico/1593
-* Although you will listen the opposite, we ask permission later to Fran to publish the interview as it was done and he granted it to us.
+* Although you will listen the opposite, we ask permission later to Fran to publish the interview as it was done and granted it to us.
 [[Category:Interviews]]

@@ Line 36: / Line 36: @@
 '''Curriculum vitae:'''
-Nació en Tijuana, Baja California, en 1975. Escritor y artista multimedia. Su trabajo se ubica entre la contracultura y la subversión creativa de los medios masivos de comunicación. Ha dirigido seminarios de narrativa interdisciplinaria en medios digitales en Sevilla, España y en Odense, Dinamarca, y coordinado talleres como Youth Creating and Communicating on HIV/AIDS, dirigido a niños de la calle y patrocinado por la UNESCO. Fue profesor invitado en la maestría interdisciplinaria de estudios latinoamericanos de Universität Wien y Latinameirika Institut (Austria), y en el curso Digital Storytelling en Malmó Högskola (Suecia). Fue también investigador del Centro Multimedia del CENART. Fue guionista del programa Interacción, transmitido por Discovery Channel. Fue editor de la revista Sputink, dedicada a la cultura digital. Ha dirigido festivales como Cinemátik 1.0 (primer Festival de Cybercultura en Latinoamérica) y Borderhack (...) Su libro Metro-Pop fue seleccionado para formar parte del proyecto Biblioteca de Aula de la SEP. Participó en la antología Historias para habitar, publicada por Ediciones SM en 2004.
+Fran Ilich is a media-artist, essayist and novelist. He is the author of the novels Metro-pop and Tekno Guerrilla. His forthcoming novel Circa 94 won the binational award Frontera de Palabras / Border of Words and his book-length essay Otra narrativa es posible will also be published this year. He is currently working on a book about the material and ideological possibilities for narrative in the digital age with a year-long fellowship from FONCA. (...) He is currently working on Diego de la Vega, a cooperative media conglomerate that includes a web server (Possibleworlds.org), a virtual community investment bank (http://Spacebank.org), a research and development initiative on narrative media (http://Ficcion.de), a collective online radio (http://Radiolatina.am), a community newspaper from Tijuana (http://elzorro.org), the think-tank Collective Intelligence Agency (http://ci-a.info) and the Brooklyn Stock Exchange, among other enterprises.
 '''Source:'''
-http://www.literatura.bellasartes.gob.mx/acervos/index.php/catalogo-biobibliografico/1593
+http://archive.eyebeam.org/people/fran-ilich
-* Although you will listen the opposite, we ask permission later to Fran to publish the interview as it was done and granted it to us.
+* Although you will listen the opposite, we ask permission later to Fran to publish the interview as it was done and he granted it to us.
 [[Category:Interviews]]

@@ Line 1: / Line 1: @@
-Realizada en Nueva York por Paz Sastre el 7 de septiembre de 2014.
+Held in New York by Paz Sastre on September 7, 2014.
-Entrevista/Interview*:
+'''Interview*:'''
 https://archive.org/details/FranIlich
-Idioma/Language:
+'''Language:'''
-Español - Spanish
+Spanish
-Proyecto/Project:
+'''Project:'''
 http://aridoamerica.org/
@@ Line 21: / Line 21: @@
-Curriculum vitae:
+'''Collection:'''
 Nació en Tijuana, Baja California, en 1975. Escritor y artista multimedia. Su trabajo se ubica entre la contracultura y la subversión creativa de los medios masivos de comunicación. Ha dirigido seminarios de narrativa interdisciplinaria en medios digitales en Sevilla, España y en Odense, Dinamarca, y coordinado talleres como Youth Creating and Communicating on HIV/AIDS, dirigido a niños de la calle y patrocinado por la UNESCO. Fue profesor invitado en la maestría interdisciplinaria de estudios latinoamericanos de Universität Wien y Latinameirika Institut (Austria), y en el curso Digital Storytelling en Malmó Högskola (Suecia). Fue también investigador del Centro Multimedia del CENART. Fue guionista del programa Interacción, transmitido por Discovery Channel. Fue editor de la revista Sputink, dedicada a la cultura digital. Ha dirigido festivales como Cinemátik 1.0 (primer Festival de Cybercultura en Latinoamérica) y Borderhack (...) Su libro Metro-Pop fue seleccionado para formar parte del proyecto Biblioteca de Aula de la SEP. Participó en la antología Historias para habitar, publicada por Ediciones SM en 2004.
-Fuente:
+'''Source:'''
 http://www.literatura.bellasartes.gob.mx/acervos/index.php/catalogo-biobibliografico/1593
-*Aunque en el audio escucharán lo contrario pedimos permiso más tarde a Fran para publicar la entrevista tal cual fue realizada y nos lo concedió.
+* Although you will listen the opposite, we ask permission later to Fran to publish the interview as it was done and granted it to us.
 [[Category:Interviews]]

@@ Line 33: / Line 33: @@
 *Aunque en el audio escucharán lo contrario pedimos permiso más tarde a Fran para publicar la entrevista tal cual fue realizada y nos lo concedió.
-[[Categoría:Interviews]]
+[[Category:Interviews]]
-[[Categoría:Spanish]]
+[[Category:Spanish]]
-[[Categoría:Mexico]]
+[[Category:Mexico]]
-[[Categoría:USA]]
+[[Category:USA]]
-[[Categoría:2014]]
+[[Category:2014]]
-[[Categoría:Fran ilich]]
+[[Category:Fran Ilich]]