Rosa Menkman (2011) The Glitch Moment(um) - Revision history

Miguel at 01:09, 8 May 2017

2017-05-08T01:09:16Z

Paz at 19:36, 3 April 2016

2016-04-03T19:36:18Z

Paz: Paz movió la página The Glitch Moment(um) a Rosa Menkman (2011) The Glitch Moment(um) sin dejar una redirección

2016-04-03T19:35:58Z

Paz movió la página The Glitch Moment(um) a Rosa Menkman (2011) The Glitch Moment(um) sin dejar una redirección

Gabriela: Página creada con «'''Rosa Menkman(2011).''The Glitch Moment(um).''Amsterdam:Institute of Network Cultures.''' Enlace:http://networkcultures.org/blog/publication/no-04-the-glitch-momentum-ro...»

2016-02-29T03:36:46Z

Página creada con «'''Rosa Menkman(2011).''The Glitch Moment(um).''Amsterdam:Institute of Network Cultures.''' Enlace:http://networkcultures.org/blog/publication/no-04-the-glitch-momentum-ro...»

New page

'''Rosa Menkman(2011).''The Glitch Moment(um).''Amsterdam:Institute of Network Cultures.'''

Enlace:http://networkcultures.org/blog/publication/no-04-the-glitch-momentum-rosa-menkman/#

Wayback Machine:https://web.archive.org/web/*/http://networkcultures.org/blog/publication/no-04-the-glitch-momentum-rosa-menkman/#

Resumen:In this book, Rosa Menkman brings in early information theorists not usually encountered in glitch’s theoretical foundations to refine a signal and informational vocabulary appropriate to glitch’s technological moment(um) and orientations. The book makes sense of recent glitch art and culture: technically, culturally, critically, aesthetically and finally as a genre.

The glitch takes on a different form in relation to noise, failure or the accident. It transitions between artifact and filter; between radical breakages and commodification processes. Menkman shows how we need to be clearer about the relationship between the technical and cultural dimensions of glitch culture. Honing in on the specificities of glitch artifacts within this broader perspective makes it possible to think through some of the more interesting implications of glitched media experience. Using a critical media aesthetic orientation, Menkman addresses the ongoing definitional tensions, paradoxes, and debates that any notion of glitch art as a genre must negotiate, rather than elude.

[[Categoría:Biblioteca]]
[[Categoría:Institute of Network Cultures]]
[[Categoría:Rosa Menkman]]
[[Categoría:Inglés]]
[[Categoría:Holanda]]
[[Categoría:2011]]

← Older revision		Revision as of 19:36, 3 April 2016
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−	~~'''Rosa Menkman(2011).''The Glitch Moment(um).''Amsterdam:Institute of Network Cultures.'''~~
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	Enlace:http://networkcultures.org/blog/publication/no-04-the-glitch-momentum-rosa-menkman/#		Enlace:http://networkcultures.org/blog/publication/no-04-the-glitch-momentum-rosa-menkman/#

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-Enlace:http://networkcultures.org/blog/publication/no-04-the-glitch-momentum-rosa-menkman/#
+[[File: NN4_RosaMenkman-img.jpg | thumbnail | right]]
-Wayback Machine:https://web.archive.org/web/*/http://networkcultures.org/blog/publication/no-04-the-glitch-momentum-rosa-menkman/#
+== <small>'''Abstract'''</small> ==
-Resumen:In this book, Rosa Menkman brings in early information theorists not usually encountered in glitch’s theoretical foundations to refine a signal and informational vocabulary appropriate to glitch’s technological moment(um) and orientations. The book makes sense of recent glitch art and culture: technically, culturally, critically, aesthetically and finally as a genre.
+In this book, Rosa Menkman brings in early information theorists not usually encountered in glitch’s theoretical foundations to refine a signal and informational vocabulary appropriate to glitch’s technological moment(um) and orientations. The book makes sense of recent glitch art and culture: technically, culturally, critically, aesthetically and finally as a genre.
 The glitch takes on a different form in relation to noise, failure or the accident. It transitions between artifact and filter; between radical breakages and commodification processes. Menkman shows how we need to be clearer about the relationship between the technical and cultural dimensions of glitch culture. Honing in on the specificities of glitch artifacts within this broader perspective makes it possible to think through some of the more interesting implications of glitched media experience. Using a critical media aesthetic orientation, Menkman addresses the ongoing definitional tensions, paradoxes, and debates that any notion of glitch art as a genre must negotiate, rather than elude.
-[[Categoría:Biblioteca]]
+== <small>'''File'''</small> ==
-[[Categoría:Institute of Network Cultures]]
-[[Categoría:Rosa Menkman]]
+[[File: NN4_RosaMenkman.pdf]]
-[[Categoría:Inglés]]
-[[Categoría:Holanda]]
+== <small>'''Source'''</small> ==
-[[Categoría:2011]]

← Older revision	Revision as of 19:35, 3 April 2016
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