Difference between revisions of "Aisel Wicab"
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'''Curriculum vitae:''' | '''Curriculum vitae:''' | ||
| − | + | She is an artist and cultural agent. Her production stems from collaborative processes towards technical appropriation, drawing, experimental film, animation, installations and permormance interventions in educational spaces. She is a co-founder of Luz y Fuerza, a light-examining collective she’s worked with in Mexico City since 2012. Luz y Fuerza was part of an international live-cinema group called Trinchera Ensamble from 2006 to 2011. She has conducted many workshop at home and abroad. Her work has been showcased in locations such as Centro Nacional de las Artes, Teatro de la Ciudad Esperanza Iris, Cineteca Nacional, Museo del Chopo, Museo de la Ciudad de México, Centro Cultural de España both in Mexico and Argentina, the FAC and the Engelman Ost Collection in Uruguay, Cinema La Cleff in Paris, the Sammlung Essl and the MuseumsQuartier in Vienna, Austria. She’s been supported through grants by the Multimedia Center at CENART-INBA in 2012, the BBVA-Bancomer Foundation in 2009 and the PAPIIT-UNAM program from 2007 to 2009. | |
Revision as of 00:46, 6 March 2017
Held between Mexico and New York by Gabriela Ceja on September 25, 2015.
Interview:
https://archive.org/details/AiselWiccab.Alumnos47_201604
Language:
Spanish
Project:
http://alumnos47.org/ http://www.colectivoluzyfuerza.com/ http://dpya.org
Curriculum vitae:
She is an artist and cultural agent. Her production stems from collaborative processes towards technical appropriation, drawing, experimental film, animation, installations and permormance interventions in educational spaces. She is a co-founder of Luz y Fuerza, a light-examining collective she’s worked with in Mexico City since 2012. Luz y Fuerza was part of an international live-cinema group called Trinchera Ensamble from 2006 to 2011. She has conducted many workshop at home and abroad. Her work has been showcased in locations such as Centro Nacional de las Artes, Teatro de la Ciudad Esperanza Iris, Cineteca Nacional, Museo del Chopo, Museo de la Ciudad de México, Centro Cultural de España both in Mexico and Argentina, the FAC and the Engelman Ost Collection in Uruguay, Cinema La Cleff in Paris, the Sammlung Essl and the MuseumsQuartier in Vienna, Austria. She’s been supported through grants by the Multimedia Center at CENART-INBA in 2012, the BBVA-Bancomer Foundation in 2009 and the PAPIIT-UNAM program from 2007 to 2009.
Source:
Aisel Wicab.
