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| − | == <small>'''Text'''</small> ==
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| − | Toward a Definition of Radio Art
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| − | 1. Radio art is the use of radio as a medium for art.
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| − | 2. Radio happens in the place it is heard and not in the production studio.
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| − | 3. Sound quality is secondary to conceptual originality.
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| − | 4. Radio is almost always heard combined with other sounds - domestic, traffic, tv, phone calls, playing children etc.
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| − | 5. Radio art is not sound art - nor is it music. Radio art is radio.
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| − | 6. Sound art and music are not radio art just because they are broadcast on the radio.
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| − | 7. Radio space is all the places where radio is heard.
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| − | 8. Radio art is composed of sound objects experienced in radio space.
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| − | 9. The radio of every listener determines the sound quality of a radio work.
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| − | 10. Each listener hears their own final version of a work for radio combined with the ambient sound of their own space.
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| − | 11. The radio artist knows that there is no way to control the experience of a radio work.
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| − | 12. Radio art is not a combination of radio and art. Radio art is radio by artists.
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| − | == <small>'''Context'''</small> ==
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| − | ''Toward a Definition of Radio Art'', also known as ''Kunstradio Manifesto'', was written in 1998 by the artist Robert Adrian for Kunstradio (1). Kunstradio is a weekly online radio program about radio art that belongs to the cultural frecuency of the Austrian National Radio ands started its emissions in 1987 (2). On april 1995, Robert Adrian released Kunstradio On Line, webpage of the program, site that he managed until april 2000 (3). Initially Kunstradio On Line had the proposal of announce and archive the weekly programs, however, in 1996 started to broadcast live emissions and became a platform for the dissemination of radio-art projects (2).
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| − | == <small>'''Autoras'''</small> ==
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| − | Although he lived in Vienna since 1972, Robert Adrian (1935 - 2015) was a Canadian artist that worked with different media such as installation, modeling, painting, sculpture and radio (3), is also a pioneer in telecommunications art, field in which he began to experiment in the year of 1979 (4). His work has been included in numerous international exhibitions, including the Venice Biennial (1980, 1984), the Sydney Biennial (1986) and the Ars Electronica de Linz, Austria (4).
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| − | == <small>'''Sources'''</small> ==
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| − | (1) http://hyperrhiz.io/hyperrhiz17/essays/4-barber-radio-art.html
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| − | (2) http://www.kunstradio.at/INFO/index.html
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| − | (3) http://alien.mur.at/rax/
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| − | (4) https://monoskop.org/Robert_Adrian_X
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| − | == <small>'''File'''</small> ==
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| − | == <small>'''Links'''</small> ==
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| − | '''First Edition:''' http://www.kunstradio.at/TEXTS/manifesto.html
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| − | '''URL:''' http://radioartnet.net/11/2011/02/16/toward-a-definition-of-radio-art-by-heidi-gruntmann-and-robert-adrian/
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| − | '''Wayback Machine:'''
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| − | https://web.archive.org/web/20180415194000/http://www.kunstradio.at/TEXTS/manifesto.html
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| − | https://web.archive.org/web/20180415192618/http://radioartnet.net/11/2011/02/16/toward-a-definition-of-radio-art-by-heidi-gruntmann-and-robert-adrian/
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| − | [[Category:Manifestos]]
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| − | [[Category:English]]
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| − | [[Category:Austria]]
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| − | [[Category:1998]]
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| − | [[Category:Robert Adrian]]
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