Difference between revisions of "Rosa Menkman (2011) The Glitch Moment(um)"
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| − | + | == <small>'''Abstract'''</small> == | |
| − | + | In this book, Rosa Menkman brings in early information theorists not usually encountered in glitch’s theoretical foundations to refine a signal and informational vocabulary appropriate to glitch’s technological moment(um) and orientations. The book makes sense of recent glitch art and culture: technically, culturally, critically, aesthetically and finally as a genre. | |
The glitch takes on a different form in relation to noise, failure or the accident. It transitions between artifact and filter; between radical breakages and commodification processes. Menkman shows how we need to be clearer about the relationship between the technical and cultural dimensions of glitch culture. Honing in on the specificities of glitch artifacts within this broader perspective makes it possible to think through some of the more interesting implications of glitched media experience. Using a critical media aesthetic orientation, Menkman addresses the ongoing definitional tensions, paradoxes, and debates that any notion of glitch art as a genre must negotiate, rather than elude. | The glitch takes on a different form in relation to noise, failure or the accident. It transitions between artifact and filter; between radical breakages and commodification processes. Menkman shows how we need to be clearer about the relationship between the technical and cultural dimensions of glitch culture. Honing in on the specificities of glitch artifacts within this broader perspective makes it possible to think through some of the more interesting implications of glitched media experience. Using a critical media aesthetic orientation, Menkman addresses the ongoing definitional tensions, paradoxes, and debates that any notion of glitch art as a genre must negotiate, rather than elude. | ||
| − | [[ | + | == <small>'''File'''</small> == |
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| − | [[ | + | [[File: NN4_RosaMenkman.pdf]] |
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| − | [[ | + | == <small>'''Source'''</small> == |
| − | [[ | + | |
| + | [[Institute_of_Network_Cultures|Institute of Network Cultures]] | ||
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| + | == <small>'''Links'''</small> == | ||
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| + | '''URL:''' http://networkcultures.org/blog/publication/no-04-the-glitch-momentum-rosa-menkman/# | ||
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| + | '''Wayback Machine:''' https://web.archive.org/web/*/http://networkcultures.org/blog/publication/no-04-the-glitch-momentum-rosa-menkman/# | ||
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| + | [[Category:Library]] | ||
| + | [[Category:Institute of Network Cultures]] | ||
| + | [[Category:Rosa Menkman]] | ||
| + | [[Category:English]] | ||
| + | [[Category:Holland]] | ||
| + | [[Category:2011]] | ||
Latest revision as of 01:09, 8 May 2017
Contents
Abstract
In this book, Rosa Menkman brings in early information theorists not usually encountered in glitch’s theoretical foundations to refine a signal and informational vocabulary appropriate to glitch’s technological moment(um) and orientations. The book makes sense of recent glitch art and culture: technically, culturally, critically, aesthetically and finally as a genre.
The glitch takes on a different form in relation to noise, failure or the accident. It transitions between artifact and filter; between radical breakages and commodification processes. Menkman shows how we need to be clearer about the relationship between the technical and cultural dimensions of glitch culture. Honing in on the specificities of glitch artifacts within this broader perspective makes it possible to think through some of the more interesting implications of glitched media experience. Using a critical media aesthetic orientation, Menkman addresses the ongoing definitional tensions, paradoxes, and debates that any notion of glitch art as a genre must negotiate, rather than elude.
File
Source
Links
URL: http://networkcultures.org/blog/publication/no-04-the-glitch-momentum-rosa-menkman/#
Wayback Machine: https://web.archive.org/web/*/http://networkcultures.org/blog/publication/no-04-the-glitch-momentum-rosa-menkman/#
