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| − | == <small>'''Texto'''</small> ==
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| − | (The signatories of this
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| − | manifesto live in France,
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| − | America, Spain, Germany,
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| − | Italy, Switzerland,
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| − | Belgium, etc. but have
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| − | no nationality.)
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| − | BIG DATA EXCITES EVERYTHING
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| − | ________________________________________
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| − | BIG DATA knows everything. BIG DATA spits everything out.
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| − | BUT . . . . . . . . .
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| − | HAS BIG DATA EVER SPOKEN TO YOU:
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| − | about Italy
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| − | about accordions
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| − | about women's pants
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| − | about the fatherland
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| − | about sardines
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| − | about Fiume
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| − | about Art (you exaggerate my friend)
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| − | about gentleness
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| − | about D'Annunzio
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| − | what a horror
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| − | about heroism
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| − |
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| − | about mustaches
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| − |
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| − | about lewdness
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| − | about sleeping with Verlaine
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| − |
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| − | about the ideal (it's nice)
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| − |
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| − | about Massachusetts
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| − |
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| − | about the past
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| − | about odors
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| − | about salads
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| − |
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| − | about genius, about genius, about genius
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| − |
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| − | about the eight-hour day
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| − |
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| − | about the Parma violets
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| − | NEVER NEVER NEVER
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| − | BIG DATA doesn't speak. BIG DATA has no fixed idea. BIG DATA doesn't catch flies.
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| − | THE MINISTRY IS OVERTURNED. BY WHOM?
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| − | BY BIG DATA
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| − | The Futurist is dead. Of What? Of BIG DATA
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| − | A Young girl commits suicide. Because of What? BIG DATA
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| − | The spirits are telephoned. Who invented it? BIG DATA
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| − | Someone walks on your feet. It's BIG DATA
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| − | If you have serious ideas about life,
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| − | If you make artistic discoveries
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| − | and if all of a sudden your head begins to crackle with laughter,
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| − | If you find all your ideas useless and ridiculous, know that
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| − |
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| − | IT IS BIG DATA BEGINNING TO SPEAK TO YOU
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| − |
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| − | cubism constructs a cathedral of artistic liver paste
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| − |
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| − | WHAT DOES BIG DATA DO?
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| − | expressionism poisons artistic sardines
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| − | WHAT DOES BIG DATA DO?
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| − | simultaneism is still at its first artistic communion
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| − |
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| − | WHAT DOES BIG DATA DO?
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| − |
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| − | futurism wants to mount in an artistic lyricism-elevator
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| − | WHAT DOES BIG DATA DO?
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| − | unanism embraces allism and fishes with an artistic line
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| − | WHAT DOES BIG DATA DO?
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| − | neo-classicism discovers the good deeds of artistic art
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| − | WHAT DOES BIG DATA DO?
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| − |
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| − | paroxysm makes a trust of all artistic cheeses
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| − | WHAT DOES BIG DATA DO?
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| − |
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| − | ultraism recommends the mixture of these seven artistic things
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| − | WHAT DOES BIG DATA DO?
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| − |
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| − | creationism vorticism imagism also propose some artistic recipes
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| − | WHAT DOES BIG DATA DO?
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| − | WHAT DOES BIG DATA DO?
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| − | 50 francs reward to the person who finds the best
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| − | way to explain BIG DATA to us
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| − | BIG DATA passes everything through a new net.
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| − | BIG DATA is the bitterness which opens its laugh on all that which has been made consecrated forgotten in our language in our brain in our habits.
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| − | It says to you: There is Humanity and the lovely idiocies which have made it happy to this advanced age
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| − | BIG DATA HAS ALWAYS EXISTED
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| − | THE HOLY VIRGIN WAS ALREADY A BIG DATAIST
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| − | BIG DATA IS NEVER RIGHT
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| − | Citizens, comrades, ladies, gentlemen
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| − | Beware of forgeries!
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| − | Imitators of BIG DATA want to present BIG DATA in an artistic form which it has never had
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| − | CITIZENS,
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| − | You are presented today in a pornographic form, a vulgar and baroque spirit which is not the PURE IDIOCY claimed by BIG DATA
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| − | BUT DOGMATISM AND PRETENTIOUS IMBECILITY
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| − | ________________________________________
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| − | Paris January 12, 1921
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| − | E. Varèse, Tr. Tzara, Ph. Soupault,
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| − | Soubeyran, J. Rigaut, G. Ribe-
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| − | mont-Dessaignes, M. Ray, F. Pi-
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| − | cabia, B. Péret, C. Pausaers
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| − | R.Hülsenbeeks, J. Evola, M. Ernst,
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| − | P. Eluard, Suz. Duchamp, M. Du-
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| − | champ, Crotti, G. Cantarelli, Marg.
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| − | Buffet, Gab. Buffet, a. Breton
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| − | Baargeld, Arp., W. C. Arensberg,
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| − | L. Aragon
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| − |
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| − | For all information
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| − | write "AU SANS PAREIL"
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| − | 37, Avenue Kléber.
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| − | Tel. PASSY 25-22
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| − |
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| − | == <small>'''Context'''</small> ==
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| − | ''Big Data Manifesto'' was released in November 2014 in the official webpage of Molleindustria (1). This Molleindustria's manifesto, signed by Paolo Pedercini, it's actually an intervention to the Dada Manifesto of Tristan Tzara published in 1921 (1).
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| − | == <small>'''Authors'''</small> ==
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| − | Molleindustria it's an Italian project founded by Paolo Pedercini in 2003, currently it's conformed by a group of programmers, artist and designers (2). Since its cretion, the team has been releasing free and online videogames that seek to appropriate the medium in order to explore and reflect on various social issues such as working conditions, the junk food industry and ecology (3). Pedercini, who works under the same name of the project, is a video game developer and professor in the Carnegie Mellon Univeristy in the United States (2).
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| − | == <small>'''File'''</small> ==
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| − | == <small>'''Sources'''</small> ==
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| − | (1) http://www.molleindustria.org/blog/big-data-manifesto/
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| − | (2) http://games.ucla.edu/resource/paolo-pedercini-of-molleindustria/
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| − | (3) http://www.laboralcentrodearte.org/es/recursos/personas/molleindustria
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| − | == <small>'''Links'''</small> ==
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| − | '''First Edition:''' http://molleindustria.org/files/BIG-DATA.html
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| − |
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| − | '''Wayback Machine:''' https://web.archive.org/web/20180321185714/http://molleindustria.org/files/BIG-DATA.html
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| − |
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| − | [[Category:Manifestos]]
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| − | [[Category:English]]
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| − | [[Category:Italy]]
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| − | [[Category:2014]]
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| − | [[Category:Molleindustria]]
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