Dominios, públicos y acceso - Contribuciones del usuario [es]

Categoría:Evelin Heidel

2016-04-15T02:03:21Z

Gabriela: Página creada con «Categoría:Autoras»

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Entrevista a Evelin Heidel

2016-04-15T02:03:04Z

Gabriela: Página creada con «Entrevista: México-Argentina 09/09/2015 https://archive.org/details/EvelinDIYBookscanner Proyectos: http://www.diybookscanner.org/ http://www.vialibre.org.ar/category/g...»

Entrevista: México-Argentina 09/09/2015

https://archive.org/details/EvelinDIYBookscanner

Proyectos:
http://www.diybookscanner.org/

http://www.vialibre.org.ar/category/general/

Evelin Heidel is a student at the University of Buenos Aires. She works in the Faculty of Philosophy and Literature in the University of Buenos Aires as responsible of the Digitization Program, and has been active in promoting free access to educational materials at the University since 2007. Member of Vía Libre Foundation and Wikimedia Argentina, and regular contributor of www.derechoaleer.org, where along with Juan Pablo Suárez develop a DIY BookScanner Project for Argentina. She is the Public Leader for WA.

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Entrevista a Michael Linton

2016-04-15T01:48:56Z

Gabriela:

Entrevista: Nueva York-Canada 3/11/2015

https://archive.org/details/MichaelLintonOpenMoney

Proyecto:http://www.openmoney.org/

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Entrevista a Michael Linton

2016-04-15T01:48:41Z

Gabriela: Página creada con «Entrevista: Nueva York-Canada 3/11/2015 https://archive.org/details/MichaelLintonOpenMoney Proyecto:http://www.openmoney.org/ Categoría:Entrevistas Categoría:Ing...»

Entrevista a Darren McRoy

2016-04-15T01:38:57Z

Gabriela: Página creada con «Entrevista:6/11/2015 https://archive.org/details/DarrenMcRoy.Zooniverse Proyecto:https://www.zooniverse.org/ Back in August I wrote about our search for someone we were...»

Entrevista:6/11/2015

https://archive.org/details/DarrenMcRoy.Zooniverse

Proyecto:https://www.zooniverse.org/

Back in August I wrote about our search for someone we were calling a ‘community builder,’ which I said was ‘the most important job in the Zooniverse.’ The position was created because of the rapid expansion of the project, and the plans we have for the next year or two, which will mean we may be able to create hundreds or thousands of new projects. If the Zooniverse isn’t constrained by the slow process of project-by-project development, then we need to rethink how we choose what is hosted on our platform, what gets promoted—and how we talk about such things. We need, in fact, to try and build a broader Zooniverse community, capable of taking the choice of projects out of our hands. At the same time, we want the tools we use to engage with this community to let everyone have a say, from new classifiers on a single project to those who roam freely across all of our Talk discussion boards.

As many of you will have already discovered, we’ve found someone we can help us with this process — Darren McRoy. Darren is a 2010 graduate of Northwestern University’s Medill School of Journalism. He has worked as a reporter and editor and is an experienced writer and communicator with a strong focus on developing online communities and strategic digital content. One of his first projects will be gathering and compiling the feedback that will inform the upcoming rebuild of the Talk discussion system. He will be a regular presence on the forums, responding to users’ comments and concerns and seeking opportunities to spur additional conversation. He will also be contributing some written content for Zooniverse projects, blogs, websites, etc. when needed, and giving feedback to the development team.

You should see quite a lot of Darren, and we’d like to encourage you to talk to him if you have any questions, comments, concerns, or other feedback about the Zooniverse community. In particular, right now he is seeking feedback about how Talk can be improved to better serve both the science goals and the growing community of contributors and volunteers.

Darren can be reached via email at darren@zooniverse.org or DZM on Talk. Please feel free to contact him — he is looking forward to working with all of you!

Chris

Fuente:https://blog.zooniverse.org/2014/10/16/introducing-darren-mcroy-zooniverse-community-builder/

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Categoría:Aisel Wicab

2016-04-15T01:27:13Z

Gabriela: Página creada con «Categoría:Autoras»

[[Categoría:Autoras]]

Entrevista a Aisel Wicab

2016-04-15T01:26:37Z

Gabriela: Página creada con «Entrevista:Nueva York-Ciudad de México 25/09/2015 https://archive.org/details/AiselWiccab.Alumnos47_201604 Proyecto: http://alumnos47.org/ http://www.colectivoluzyfuerz...»

Entrevista:Nueva York-Ciudad de México 25/09/2015

https://archive.org/details/AiselWiccab.Alumnos47_201604

Proyecto:

http://alumnos47.org/
http://www.colectivoluzyfuerza.com/

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Entrevista a Pedro Soler

2016-04-15T01:14:35Z

Gabriela:

Entrevista: México-Ecuador 1/09/2015

https://archive.org/details/PedroSoler

Formado en Artes Digitales por el Instituto Audiovisual de la Universidad Pompeu Fabra en Barcelona, España (1997-1998), Pedro Soler ha participado en numerosas iniciativas relacionadas con la multimedia, el arte y la cultura libre. Co-fundador del colectivo fiftyfifty en Barcelona en 1999, curador en el Festival Sónar de 2000 al 2006, artista-programador para teatro en París de 2003 a 2006 y director de Hangar.org, Centro de Producción de Artes Visuales en Barcelona, de 2006 a 2009. En 2010 es curador de las exposiciones “L’Espai de l’Intent” (Centro Cultural Can Felipa, Barcelona) y “Lo uno y lo Múltiple” (La Capella, Barcelona y ASCII Foundation, El Cairo) y inicia Plataforma Cero, un centro de producción e investigación artística dentro del centro de arte LABoral en Gijón, España. A partir de 2012 viaja por todo el mundo dando talleres y participando en proyectos hasta llegar a Medellín, donde trabaja durante 2014 con entidades como Casa Tres Patios, Platohedro y el Colaboratorio, Parque Explora. En 2015 fue co-curador de la exposición “Arte en Órbita” en el CAC, Quito. Actualmente trabaja en el proyecto Transmestizx en Ecuador y es director artístico del festival Transitio_MX 07 en México DF, 2017.

http://word.root.ps

Fuente:http://word.root.ps/?page_id=22

Entrevista a Pedro Soler

2016-04-15T01:14:09Z

Gabriela: Página creada con «Entrevista: México-Ecuador 1/09/2015 https://archive.org/details/PedroSoler Formado en Artes Digitales por el Instituto Audiovisual de la Universidad Pompeu Fabra en Barc...»

Entrevista: México-Ecuador 1/09/2015
https://archive.org/details/PedroSoler

Formado en Artes Digitales por el Instituto Audiovisual de la Universidad Pompeu Fabra en Barcelona, España (1997-1998), Pedro Soler ha participado en numerosas iniciativas relacionadas con la multimedia, el arte y la cultura libre. Co-fundador del colectivo fiftyfifty en Barcelona en 1999, curador en el Festival Sónar de 2000 al 2006, artista-programador para teatro en París de 2003 a 2006 y director de Hangar.org, Centro de Producción de Artes Visuales en Barcelona, de 2006 a 2009. En 2010 es curador de las exposiciones “L’Espai de l’Intent” (Centro Cultural Can Felipa, Barcelona) y “Lo uno y lo Múltiple” (La Capella, Barcelona y ASCII Foundation, El Cairo) y inicia Plataforma Cero, un centro de producción e investigación artística dentro del centro de arte LABoral en Gijón, España. A partir de 2012 viaja por todo el mundo dando talleres y participando en proyectos hasta llegar a Medellín, donde trabaja durante 2014 con entidades como Casa Tres Patios, Platohedro y el Colaboratorio, Parque Explora. En 2015 fue co-curador de la exposición “Arte en Órbita” en el CAC, Quito. Actualmente trabaja en el proyecto Transmestizx en Ecuador y es director artístico del festival Transitio_MX 07 en México DF, 2017. http://word.root.ps

Fuente:http://word.root.ps/?page_id=22

Categoría:Gabriel Lucas

2016-04-15T01:01:25Z

Gabriela: Página creada con «Categoría:Autoras»

[[Categoría:Autoras]]

Entrevista a Gabriel Lucas

2016-04-15T01:00:38Z

Gabriela: Página creada con «Entrevista: México-España 6/07/2015 https://archive.org/details/GabrielLucasGuifi1_201604 https://archive.org/details/GabrielLucasGuifi2_201604 Proyecto:https://guifi....»

Entrevista: México-España 6/07/2015

https://archive.org/details/GabrielLucasGuifi1_201604

https://archive.org/details/GabrielLucasGuifi2_201604

Proyecto:https://guifi.net/en

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George A. Selgin (1988) The Theory of Free Banking. Money Supply under competitive note Issue

2016-04-11T02:40:50Z

Gabriela:

Enlace:https://web.archive.org/web/20160219015348/http://files.libertyfund.org/files/2307/Selgin_1544_Bk.pdf#

Wayback Machine:https://web.archive.org/save/https://web.archive.org/web/20160219015348/http://files.libertyfund.org/files/2307/Selgin_1544_Bk.pdf#

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Chris DiBon, Danese Cooper, Mark Stone (2006) Open Sources 2.0: The continuing evolution.

2016-04-11T02:39:13Z

Gabriela:

'''Chris DiBon, Danese Cooper y Mark Stone (2006).''Open Sources 2.0: The Continuing Evolution.''EE.UU: O´Reilly.'''

Enlace:https://archive.org/details/opensources2.000diborich#

Wayback Machine:https://web.archive.org/web/*/https://archive.org/details/opensources2.000diborich#

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Entrevista a Josh Wattles

2016-04-11T02:30:52Z

Gabriela:

Entrevista: Nueva York-Los Angeles 3/28/2016
https://archive.org/details/JoshWattlesDeviantArt.1

https://archive.org/details/JoshWattlesDeviantArt.2

Web:http://makepictures.deviantart.com/

Proyecto:http://www.deviantart.com/

Joshua S. Wattles is advisor in chief to deviantART, the world’s largest online community for artists and art enthusiasts, and he has acted as both general counsel for Paramount Pictures and senior intellectual property lawyer for Paramount Communications.

In these roles, Wattles has managed more than 60 lawyers and was responsible for the studio’s highest profile talent, content agreements, and major litigations. Additionally, he advised on intellectual property matters related to film, book publishing, sports, and cable television and was key architect of the film industry’s anti-piracy program.

In his private legal practice, Josh’s clients have included motion picture studios, music companies, and new media properties including the World Monuments Fund, Dorothy Hamill, Televisa, Internet entrepreneur Michael Robertson, and J.K. Rowling. He also represented technology developers in the watershed Supreme Court case MGM v. Grokster.

He is currently an adjunct law professor at Southwestern University Law School and Loyola Law School in Los Angeles where he teaches courses in Copyright Law, Museum and Art Law, and the Music Publishing Industry. He is a past president of the Los Angeles Copyright Society. He holds a J.D. from George Washington University (1978), as well as a B.A. from Mills College (1973, with honors).

Fuente:http://gould.usc.edu/about/contact/lecturers/contactinfo.cfm?detailid=71001

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Entrevista a Josh Wattles

2016-04-11T02:30:32Z

Gabriela:

Entrevista a Josh Wattles

2016-04-11T02:30:09Z

Gabriela:

Categoría:Josh Wattles

2016-04-11T02:29:45Z

Gabriela: Página creada con «Categoría:Autoras»

[[Categoría:Autoras]]

Entrevista a Josh Wattles

2016-04-11T02:29:24Z

Gabriela: Página creada con «Entrevista: Nueva York-Los Angeles 3/28/2016 https://archive.org/details/JoshWattlesDeviantArt.1 https://archive.org/details/JoshWattlesDeviantArt.2 Web:http://makepictur...»

Entrevista a Scott Schang

2016-04-11T02:19:24Z

Gabriela:

Entrevista: E.U. 17/09/2015

https://archive.org/details/ScottShangEcoPatent

Proyecto: https://ecopatentcommons.org/

Executive Vice President, Environmental Law Institute
Scott Schang strategically directs the Institute’s publications and education programming and serves as a climate and energy expert. Scott was previously Vice President, Climate & Sustainability and Co-Director of ELI’s Africa Program. Prior to joining ELI in 2003, Scott practiced environmental law for ten years with Cleary, Gottlieb, Steen & Hamilton and with Latham & Watkins. His private practice encompassed most areas of environmental law and policy, with an emphasis on chemical and pesticide regulation, federal rulemaking, and environmental due diligence.
http://www.corporateecoforum.com/welcome-to-the-eco-patent-commons/

Fuente: http://www.eli.org/bios/scott-schang

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Entrevista a Oren Bracha

2016-04-11T02:07:51Z

Gabriela:

Entrevista:Nueva York-Texas 02/11/2015

https://archive.org/details/OrenBracha.PrimarySourcesOnCopyright

Proyecto:http://www.copyrighthistory.org/cam/index.php

Oren Bracha is a legal historian and an intellectual property law scholar. His dissertation "Owning Ideas" is a comprehensive intellectual history of Anglo-American intellectual property law. Bracha was a law clerk for Chief Justice Aharon Barak of the Supreme Court of Israel. Prior to coming to UT he worked on several teaching and research projects for the Berkman Center for Internet and Society at Harvard Law School. His fields of interest include intellectual property, cyberlaw, legal history and legal theory.
RECENT PUBLICATIONS
Beyond the Incentive-Access Paradigm? Product Differentiation & Copyright Revisited [Symposium: Steps Toward Evidence-Based IP], 92 Texas Law Review 1841 (2014) (with Talha Syed).
Beyond Efficiency: Consequence-Sensitive Theories of Copyright, 29 Berkeley Technology Law Journal 229 (2014) (with Talha Syed).
The Folklore of Informationalism: The Case of Search Engine Speech, 82 Fordham Law Review 1629 (2014).

Fuente:https://law.utexas.edu/faculty/ob242/

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Entrevista a Michel Bauwens

2016-04-11T02:05:13Z

Gabriela:

Entrevista: Nueva York-Wisconsin 25/03/2016

https://archive.org/details/MichelBauwens

Proyecto:http://p2pfoundation.net/

Michel Bauwens is the founder of the Foundation for Peer-to-Peer Alternatives and works in collaboration with a global group of researchers in the exploration of peer production, governance, and property. He has co-produced the 3-hour TV documentary Technocalyps with Frank Theys, and co-edited the two-volume book on anthropology of digital society with Salvino Salvaggio. Michel is currently Primavera Research Fellow at the University of Amsterdam and external expert at the Pontifical Academy of Social Sciences (2008, 2012). In Belgium, he published a best-selling interview transcript, with Jean Lievens, 'De Wereld Redden, met peer to peer naar een post-kapitalistische samenleving', which is nearing its third printing after a few weeks (February 2014).

Michel Bauwens is a member of the Board of the Union of International Associations (Brussels), advisor to Shareable magazine (San Francisco), to Zumbara Time Bank (Istanbul) and ShareLex. He is also scientific advisor to the "Association Les Rencontres du Mont-Blanc, Forum International des Dirigeants de l’Economie Sociale et Solidaire" (2013-) and in the Advisory Board for the 'Fourth International Conference on Degrowth for Ecological Sustainability and Social Equity'. He functioned as the Chair of the Technology/ICT working group, Hangwa Forum (Beijing, Sichuan), to develop economic policies for long-term resilience, including through distributed manufacturing. He writes editorials for Al Jazeera English [1]. He is listed at #82, on the Post-Carbon Institute (En)Rich list, http://enrichlist.org/the-list/ . Currently (2013), Michel Bauwens is research director of the transition project towards the social knowledge economy, an official project in Ecuador (see floksociety.org).

In the first semester of 2014, Michel Bauwens was research director of the floksociety.org research group, which produced the first integrated Commons Transition Plan for the government of Ecuador, in order to create a 'social knowledge economy', with fifteen associated policy papers. One version of the plan is available at http://en.wiki.floksociety.org/w/Research_Plan .

Michel currently lives in Chiang Mai, Thailand, has taught at Payap University and Dhurakij Pandit University's International College, as well as IBICT, Rio de Janeiro. He is a founding member of the Commons Strategies Group, with Silke Helfrich and David Bollier, organizing major global conferences on the commons and its economics. In his first business career, Michel worked for USIA, British Petroleum, riverland Publications, Belgacom, and created two internet start-ups, respectively on intranet/extranets (E-Com) and interactive marketing (KyberCo), which were sold to Alcatel and Tagora Holdings.

Fuente:http://p2pfoundation.net/Michel_Bauwens

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Entrevista a Michel Bauwens

2016-04-11T02:04:23Z

Gabriela:

Entrevista: Nueva York-Wisconsin 25/03/2016

https://archive.org/details/MichelBauwens

Proyecto:http://p2pfoundation.net/Michel_Bauwens

Michel Bauwens is the founder of the Foundation for Peer-to-Peer Alternatives and works in collaboration with a global group of researchers in the exploration of peer production, governance, and property. He has co-produced the 3-hour TV documentary Technocalyps with Frank Theys, and co-edited the two-volume book on anthropology of digital society with Salvino Salvaggio. Michel is currently Primavera Research Fellow at the University of Amsterdam and external expert at the Pontifical Academy of Social Sciences (2008, 2012). In Belgium, he published a best-selling interview transcript, with Jean Lievens, 'De Wereld Redden, met peer to peer naar een post-kapitalistische samenleving', which is nearing its third printing after a few weeks (February 2014).

Michel Bauwens is a member of the Board of the Union of International Associations (Brussels), advisor to Shareable magazine (San Francisco), to Zumbara Time Bank (Istanbul) and ShareLex. He is also scientific advisor to the "Association Les Rencontres du Mont-Blanc, Forum International des Dirigeants de l’Economie Sociale et Solidaire" (2013-) and in the Advisory Board for the 'Fourth International Conference on Degrowth for Ecological Sustainability and Social Equity'. He functioned as the Chair of the Technology/ICT working group, Hangwa Forum (Beijing, Sichuan), to develop economic policies for long-term resilience, including through distributed manufacturing. He writes editorials for Al Jazeera English [1]. He is listed at #82, on the Post-Carbon Institute (En)Rich list, http://enrichlist.org/the-list/ . Currently (2013), Michel Bauwens is research director of the transition project towards the social knowledge economy, an official project in Ecuador (see floksociety.org).

In the first semester of 2014, Michel Bauwens was research director of the floksociety.org research group, which produced the first integrated Commons Transition Plan for the government of Ecuador, in order to create a 'social knowledge economy', with fifteen associated policy papers. One version of the plan is available at http://en.wiki.floksociety.org/w/Research_Plan .

Michel currently lives in Chiang Mai, Thailand, has taught at Payap University and Dhurakij Pandit University's International College, as well as IBICT, Rio de Janeiro. He is a founding member of the Commons Strategies Group, with Silke Helfrich and David Bollier, organizing major global conferences on the commons and its economics. In his first business career, Michel worked for USIA, British Petroleum, riverland Publications, Belgacom, and created two internet start-ups, respectively on intranet/extranets (E-Com) and interactive marketing (KyberCo), which were sold to Alcatel and Tagora Holdings.

Fuente:http://p2pfoundation.net/Michel_Bauwens

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Entrevista a Lucy Fortson

2016-04-11T01:57:43Z

Gabriela:

Entrevista: E.U. 17/12/2015

https://archive.org/details/LucyFortsonAdler.zooniverse

Proyecto: http://www.citizensciencealliance.org/structure.html

Dr. Fortson became a member of the School of Physics and Astronomy in 2010. Prior to her appointment to the faculty at the U, she was on the Astronomy Faculty at the Adler Planetarium in Chicago, Illinois for thirteen years, most recently as the Vice President for Research. She was also a Senior Research Associate at the University of Chicago during this time. Dr. Fortson received her PhD in 1991 from UCLA in high energy physics for work she did at the CERN particle accelerator in Geneva, Switzerland probing the existence of high-mass cousins to the top quark. Returning to the United States, she began work at the University of Chicago on cosmic ray and gamma ray astrophysics with the Chicago Air Shower Array. As a post-doc, she led the CASA-BLANCA experiment studying the composition of very high energy galactic cosmic rays. She has been with the VERITAS collaboration since 2000.
A founding member of the Zooniverse project (www.zooniverse.org), and current Board Chair for the Citizen Science Alliance, Dr. Fortson is also a leading expert in the field of “crowdsourcing science”. She has served on numerous national committees including the National Academy of Sciences Astronomy 2010 Decadel Survey, the Astrophysics Science Subcommittee and the Human Capital Committee of the NASA Advisory Council (NAC), the Mathematical and Physical Sciences Directorate Advisory Committee (MPSAC) for the National Science Foundation and the Education and Public Outreach Review Committee for the National Optical Astronomy Observatory.
Summary of Interests
High-energy astrophysics, gamma-ray astronomy, extragalactic astronomy including active galactic nuclei and barred spirals; Developing online citizen science as a method to solve research problems with large datasets; physics education research.

Fuente:https://www.physics.umn.edu/people/fortson.html

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Entrevista a Lars Bjørnshauge

2016-04-11T01:52:29Z

Gabriela:

Entrevista: México-Dinamarca 17/02/2016

https://archive.org/details/Lars.Doaj

Proyecto:https://doaj.org/

Lars Bjørnshauge, Deputy Director, Acting Director, Technical Information Center of Denmark Technical University of Denmark (1992-2000), Director of Libraries at Lund University (2001-2011).

President of the Danish Research Library Association 1992-1994 and 1st Vice-President of the Swedish Library Association 2005-2011.
Founder of the Directory of Open Access Journals (www.doaj.org), co-founder of OpenDoar, the Directory of Open Access Repositories, (www.opendoar.org) and co-founder of the Directory of Open Access Books (www.doabooks.org).
Director of IS4OA (www.IS4OA.org) and
Managing Director of DOAJ (www.doaj.org) and member of the OASPA Board (www.oaspa.org).
To contact Lars, send him a mail to lars@arl.org or fill in the contact form.

Fuente:http://sparceurope.org/about/governance/lars-bjornshauge/

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Entrevista a Iván Martínez

2016-04-11T01:47:01Z

Gabriela:

Entrevista:México 2/10/2015

https://archive.org/details/IvanMartinez.Wikimedia

Web:https://mx.wikimedia.org/wiki/P%C3%A1gina_principal

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Entrevista a Iván Martínez

2016-04-11T01:46:35Z

Gabriela:

Entrevista:2/10/2015

https://archive.org/details/IvanMartinez.Wikimedia

Web:https://mx.wikimedia.org/wiki/P%C3%A1gina_principal

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[[Categoría:Ivan Martínez]]

Entrevista a Geert Lovink

2016-04-11T01:40:01Z

Gabriela:

Entrevista: Nueva York-Amsterdam 22/03/2016

https://archive.org/details/GeertLovink}

Proyecto:http://networkcultures.org/

Geert Lovink (born 1959, Amsterdam) is a Research Professor of Interactive Media at the Hogeschool van Amsterdam (HvA) and a Professor of Media Theory at the European Graduate School. From 2004-2013 he was an Associate Professor of New Media at the University of Amsterdam (UvA).[1] Lovink earned his master's degree in political science at the University of Amsterdam, holds a PhD from the University of Melbourne and has been a postdoctoral fellow at the University of Queensland.[2]

Lovink is the founding director of the Institute of Network Cultures,[3] whose goals are to explore, document and feed the potential for socio-economical change of the new media field through events, publications and open dialogue.[4] As theorist, activist and net critic, Lovink has made an effort in helping to shape the development of the web.

Fuente:http://networkcultures.org/geert/

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Entrevista a Geert Lovink

2016-04-11T01:39:06Z

Gabriela:

Entrevista:22/03/2016
https://archive.org/details/GeertLovink}

Proyecto:http://networkcultures.org/

Geert Lovink (born 1959, Amsterdam) is a Research Professor of Interactive Media at the Hogeschool van Amsterdam (HvA) and a Professor of Media Theory at the European Graduate School. From 2004-2013 he was an Associate Professor of New Media at the University of Amsterdam (UvA).[1] Lovink earned his master's degree in political science at the University of Amsterdam, holds a PhD from the University of Melbourne and has been a postdoctoral fellow at the University of Queensland.[2]

Lovink is the founding director of the Institute of Network Cultures,[3] whose goals are to explore, document and feed the potential for socio-economical change of the new media field through events, publications and open dialogue.[4] As theorist, activist and net critic, Lovink has made an effort in helping to shape the development of the web.

Fuente:http://networkcultures.org/geert/

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[[Categoría:Geert Lovink]]

Entrevista a Francisco Sanz

2016-04-11T01:37:14Z

Gabriela:

Entrevista: México-España 09/07/2015

https://archive.org/details/Francisco_201603

Proyecto:http://www.socientize.eu/?q=eu

Web:https://www.researchgate.net/profile/Francisco_Sanz4

[[Categoría:Entrevistas]]
[[Categoría:Español]]
[[Categoría:2015]]
[[Categoría:francisco Sanz]]

Entrevista a Francisco Sanz

2016-04-11T01:35:50Z

Gabriela:

Entrevista:09/07/2015

https://archive.org/details/Francisco_201603

Proyecto:http://www.socientize.eu/?q=eu

Web:https://www.researchgate.net/profile/Francisco_Sanz4

[[Categoría:Entrevistas]]
[[Categoría:Español]]
[[Categoría:2015]]
[[Categoría:francisco Sanz]]

Entrevista a Fran Ilich

2016-04-11T01:25:52Z

Gabriela:

Entrevista: NY 07/09/2014

https://archive.org/details/FranIlich

Proyecto:http://aridoamerica.org/

Fran Ilich Morales is a Mexican writer and media artist who principally works on the theory and practice of narrative media. Born in 1975, during the early 1990s he co-founded the Contra-Cultura (menor) collective and was involved in the independent media scene in Tijuana—mainly the cyberpunk scene—where he was known to be an eclectic producer working with literature, photography, comics, videofilms and electronic music. Because of this, he was identified as part of the Generation X of Mexican literature, with other writers like Guillermo Fadanelli & Naief Yehya. In 1995 he began publishing Cinemátik, a printed tabloid on urban electronic culture. In 1996 he was a screenwriter for Discovery Channel Interacción, a show produced by Beatriz Acevedo. In 1997 he published his first novel, Metro-Pop. In 1998 he was signed by Digital Entertainment Network as creator for a series of 6-minute shows targeting young Latino audiences. However, the series never was produced, as the multimedia dot-com company and internet pioneer went bankrupt. The same year, along with other members of Laboratorios Cinemátik, he produced Cinemátik 1.0, which is considered to be the first cyberculture festival in Latin America. He was part of the initial group of artists and producers who founded Nortec, though he distanced himself from this scene in 1999 and moved to Berlin. There, he became involved with Nettime, collaborating with Florian Schneider, Geert Lovink, Natalie Bookchin, Pit Schultz, Ricardo Dominguez and Alexei Shulgin.

In 2000 Ilich initiated the Borderhack festival on the Mexican side of the Tijuana-San Diego border wall. He then moved to Mexico City to become an editor for the magazine Sputnik Cultura Digital. In 2005, after attending the meetings of the Sixth Declaration of the Lacandon Jungle in Chiapas with Subcomandante Marcos and the EZLN, Ilich launched the autonomous server possibleworlds.org and its economic body spacebank.org. In 2007 the magazine he edited, Sab0t, was presented at Documenta 12 magazines.[1] This same year his novel Tekno Guerrilla, a story about the HEM (Hecho En México) graffiti crew in Tijuana, was published by Verbigracia (Basque Country). His novel Circa 94 was published in Mexico in 2010 and won the Premio Binacional de Novela Joven Frontera de palabras/Border of words award for 2010.[2]

As an artist, Ilich has presented his work as a media artist at cultural institutions and international art and media festivals throughout Europe and the Americas (e.g. Transmediale, Ars Electronica, Berlinale Talent Campus, Walker Art Center,[3] InSite 05,[4] Copenhagen International Documentary Film Festival, Streaming Cinema Festival, Antidoto at Itau Cultural,[5] International Festival of New Film Split, Salón Internacional de Arte Digital de la Habana, among others. Ilich has also presented his work in other fora: In 2009 he was a keynote speaker at the EZLN's first Festival Mundial de la Digna Rabia (first World Festival of Dignified Rage) on a panel on "Otra Comunicación, Otra Cultura", along with Subcomandante Marcos, Comandante Zebedeo, Hermann Bellinghausen, Gloría Muñoz, Sergío Ramírez Lazcano, Francisco Barrios "El Mastuerzo" and Roco of Maldita Vecindad.[6] In 2011 he presented his project Diego de la Vega and Spacebank at The Economist 2011 conference in Mexico City, "Change from the Bottom Up."[7]

Since 2010 Ilich has focused on the cooperative media conglomerate Diego de la Vega and its virtual community investment bank Spacebank.[8] Since 2011 he has been a Fellow at Eyebeam.[9] Ilich is completing an M.A. in the Media Art History program in Donau-Universität Krems in Austria, where he holds the 2010 Leonardo Foundation scholarship.[10] His most recent book is an extended essay on radical political imagination and narrative across media. Titled "Otra Narr@tiva es Posible: La imaginacion política en la era del internet" [Another Narr@ative is Possible: Political Imagination in the Internet Age]. It was published by Recovecos in Argentina in 2011 and is forthcoming from The Institute of Network Cultures in Amsterdam.

Fuente:
https://en.wikipedia.org/wiki/Fran_Ilich

[[Categoría:Entrevistas]]
[[Categoría:Español]]
[[Categoría:2014]]
[[Categoría:Fran Ilich]]

Entrevista a Eugenio Tisselli

2016-04-11T01:22:58Z

Gabriela:

Entrevista: Nueva York-México 1/09/2015

https://archive.org/details/EugenioTiselli

Proyectos:
http://ojovoz.net/

http://www.motorhueso.net/myNonSpace/dossier_tisselli.pdf

[[Categoría:Entrevistas]]
[[Categoría:Español]]
[[Categoría:2015]]
[[Categoría:Eugenio Tisselli]]

Entrevista a Eugenio Tisselli

2016-04-11T01:22:42Z

Gabriela:

Entrevista: Nueva York-México 1/09/2015

https://archive.org/details/EugenioTiselli

Proyectos:
http://ojovoz.net/
http://www.motorhueso.net/myNonSpace/dossier_tisselli.pdf

[[Categoría:Entrevistas]]
[[Categoría:Español]]
[[Categoría:2015]]
[[Categoría:Eugenio Tisselli]]

Entrevista a Eugenio Tisselli

2016-04-11T01:22:21Z

Gabriela:

Entrevista: Nueva York-México 1/09/2015
https://archive.org/details/EugenioTiselli

Proyectos:
http://ojovoz.net/

http://www.motorhueso.net/myNonSpace/dossier_tisselli.pdf

[[Categoría:Entrevistas]]
[[Categoría:Español]]
[[Categoría:2015]]
[[Categoría:Eugenio Tisselli]]

Entrevista a Eugenio Tisselli

2016-04-11T01:15:21Z

Gabriela:

Entrevista:1/09/2015
https://archive.org/details/EugenioTiselli

Proyecto: http://www.motorhueso.net/myNonSpace/dossier_tisselli.pdf

[[Categoría:Entrevistas]]
[[Categoría:Español]]
[[Categoría:2015]]
[[Categoría:Eugenio Tisselli]]

Entrevista a Elizabeth Tyson

2016-04-11T00:50:26Z

Gabriela:

Entrevista:México-E.U. 14/08/2015
https://archive.org/details/ElizabethTysonCommons

Proyecto:https://wilsoncommonslab.org/

Elizabeth co-directs the Commons Lab and conducts original research exploring the uses of citizen science domestically and internationally for furthering environmental protection, civic participation, ecosystem services and diverse stakeholder collaboration and cooperation.

Elizabeth completed a dual-degree M.S. in the Human Dimensions of Natural Resources from Colorado State University and El Colegio de la Frontera Sur, Chiapas, Mexico, and a B.A. in Religious Studies and Environmental Studies from Guilford College in Greensboro, NC. Her thesis work studied the application of a mobile data collection system for community based natural resource monitoring and carbon accounting on coffee farms buffering El Triunfo Biosphere Reserve in the Sierra Madre, Chiapas. More information on this research can be found here: http://bit.ly/1MH2ZYs.
- See more at: https://www.wilsoncenter.org/person/elizabeth-tyson#sthash.JLMBn8Bw.dpuf

Fuente:https://www.wilsoncenter.org/person/elizabeth-tyson

[[Categoría:Entrevistas]]
[[Categoría:Inglés]]
[[Categoría:2015]]
[[Categoría:Elizabeth Tyson]]

Entrevista a Eduardo Suárez

2016-04-11T00:27:43Z

Gabriela:

Entrevista: New York-Ciudad de México 16/10/2015

https://archive.org/details/EduardoSuarez.Fondeadora

Proyecto:https://mx.linkedin.com/in/eduardo-su%25C3%25A1rez-06a64499

[[Categoría:Entrevistas]]
[[Categoría:Español]]
[[Categoría:2015]]
[[Categoría:Eduardo suárez]]

Entrevista a David Bogado

2016-04-11T00:04:05Z

Gabriela:

Entrevista:México-Paraguay 06/07/2015

https://archive.org/details/DavidBogado

Proyecto:https://www.eff.org/

David Bogado Yegros is a Paraguay-based journalist with interests in Internet growth in Latin America, telecommunications regulation and digital rights. Since 2007 he has integrated himself into local media, with an internship as radio operator for sports programming. He also studied voice-over, video editing and web design while earning a Bachelor of Science in Communication at the Catholic University of Asunción.

In recent years he was an award-winning blogger, multimedia reporter, producer, and radio co-host, covering politics, current affairs, media, and technology. He was also involved in creating special reports on cybercrime, sports and the Paraguay presidential elections of 2013. Before coming to EFF, he collaborated at TEDIC, a Paraguayan pioneer NGO related to Human Rights defense in the digital field and led a successful campaign against the Data Retention bill called "Pyrawebs," which it was rejected first in the House of Representatives and later in the Senate. Bogado is an op-ed columnist for the news site Ejempla.com on tech and current affairs. Other interests are to improve at playing saxophone, follows his soccer team Club Olimpia, and collecting rock albums.

Fuente: https://www.eff.org/about/staff/david-bogado

[[Categoría:Entrevistas]]
[[Categoría:Español]]
[[Categoría:2015]]
[[Categoría:David Bogado]]

Entrevista a Christiane Paul

2016-04-08T02:15:17Z

Gabriela:

Entrevista: México-New York. 15/07/2015

https://archive.org/details/ChristianePaul

Web: http://www.christianepaul.info/

Proyecto:https://www.digitalartarchive.at/nc/home.html

Paul received both her MA and PhD from the University of Düsseldorf. She has written extensively on new media arts and lectured internationally on art and technology.

Her recent books are Context Providers – Conditions of Meaning in Media Arts (Intellect, 2011; Chinese edition, Beijing Beepub Media & Culture Publishing Co., 2012), co-edited with Margot Lovejoy and Victoria Vesna; New Media in the White Cube and Beyond (UC Press, 2008); and Digital Art (Thames and Hudson 2003 / 2008 / 2015). As Adjunct Curator of New Media Arts at the Whitney Museum of American Art, she curated several exhibitions—including Cory Arcangel: Pro Tools (2011), Profiling (2007), Data Dynamics (2001) and the net art selection for the 2002 Whitney Biennial—as well as artport, the Whitney Museum’s website devoted to Internet art.

Other recent curatorial work includes The Public Private (Kellen Gallery, The New School, Feb. 7 - April 17, 2013), Eduardo Kac: Biotopes, Lagoglyphs and Transgenic Works (Rio de Janeiro, Brazil, 2010); Biennale Quadrilaterale (Rijeka, Croatia, 2009–10); Feedforward - The Angel of History (co-curated with Steve Dietz; Laboral Center for Art and Industrial Creation, Gijon, Spain, Oct. 2009); INDAF Digital Art Festival (Incheon, Korea, Aug. 2009); and Scalable Relations (Beall Center for Art and Technology, Irvine, CA; as well as galleries at UCSD, UCLA and UCSB, 2008–09).

Dr. Paul has previously taught in the MFA computer arts department at the School of Visual Arts in New York (1999–2008); the Digital+Media Department of the Rhode Island School of Design (2005–08); the San Francisco Art Institute and the Center of New Media at the University of California at Berkeley (2008).

Fuente:http://www.newschool.edu/public-engagement/school-of-media-studies-faculty/?id=4d54-5530-4e7a-4177

[[Categoría:Entrevistas]]
[[Categoría:Inglés]]
[[Categoría:2015]]
[[Categoría:Christiane Paul]]

Entrevista a Benjamin Good

2016-04-08T01:59:37Z

Gabriela:

Entrevista: New York-San Diego.13/10/2015

https://archive.org/details/BenjaminGoodGeneGames

Proyecto:http://genegames.org/games/mobianga/index.html

I am interested in understanding and building processes for creating and distributing knowledge. In particular I am driven to enable the accumulation of useful knowledge about the human genome such that that knowledge can be applied to improve the human condition. This drive has lead me on a path from cognitive science, through machine learning, to bioinformatics and most recently to ‘community intelligence’ or ‘crowdsourcing’. At Scripps I participate in the development of the following related projects:
Gene Wiki
genegames.org – especially “The Cure”
biobranch.org

Fuente:Web:http://sulab.org/the-team/benjamin-good/

[[Categoría:Entrevistas]]
[[Categoría:Inglés]]
[[Categoría:2015]]
[[Categoría:Benjamin Good]]

Entrevista a Alicia Gibb

2016-04-08T01:54:33Z

Gabriela:

Entrevista:New York-Wisconsin. 02/04/2016
https://archive.org/details/AliciaGibb

Web:http://aliciagibb.com/

Proyecto:http://www.oshwa.org/

Alicia Gibb is an advocate for open hardware, researcher, and a hardware hacker. She is the founder and CEO of Lunchbox Electronics, a company that creates innovative new products with Imagination and the passion for open source hardware. She conducted a successful Kickstarter called Build Upons for light up LEGO-compatible bricks. Alicia has worked within the open source hardware community since 2008. She is the founder and Executive Director of the Open Source Hardware Association (OSHWA), an organization to educate and promote building and using open source hardware, as well founded the Open Hardware Summit and co-chaired the first two . She also directs the BTU Lab (Blow Things Up) at CU Boulder, where she teaches in the areas of physical computing and information technology. She is a member of NYCResistor, where she has curated two international art shows. Her electronics work has appeared in Wired magazine, IEEE Spectrum, Hackaday and the New York Times. When Alicia is not researching at the crossroads of open technology and innovation she is prototyping work that twitches, blinks, and might even be tasty to eat.

Fuente:http://aliciagibb.com/

[[Categoría:Entrevistas]]
[[Categoría:Inglés]]
[[Categoría:Alicia Gibb]]
[[Categoría:2016]]

Categoría:Alekos Pantazis

2016-04-08T01:50:21Z

Gabriela: Página creada con «Categoría:Autoras»

[[Categoría:Autoras]]

Entrevista a Alekos Pantazis

2016-04-08T01:50:02Z

Gabriela:

Entrevista:E.U.-Greece. 18/02/2016
https://archive.org/details/Alekos.p2p

Proyecto:http://p2pfoundation.net/

Alexandros (Alekos) Pantazis is a research fellow at the P2P Lab and environmental engineer, with expertise in the area of participatory design for nature conservation and integrated coastal zone management. He has an extensive 15 years experience of active involvement in civil movements in various rural regions of Greece and abroad, focusing mainly on agrarian grass-root movements, as well as on Degrowth and the Commons movements. Alekos has strong experience in non formal education and has been involved as a scientific assistant/coordinator in a number of European projects in the areas of marine conservation and management, focusing on local communities.

Fuente:http://p2pfoundation.net/Alekos_Pantazis

[[Categoría:Entrevistas]]
[[Categoría:Inglés]]
[[Categoría:2016]]
[[Categoría:Alekos Pantazis]]

Entrevista a Adam Green

2016-04-08T01:47:04Z

Gabriela:

Entrevista:México-E.U.13/10/2015

https://archive.org/details/AdamGreen.ThePublicDomainReview

Web:http://publicdomainreview.org/about/

The Public Domain Review is an online journal, a project of the Open Knowledge Foundation, showcasing works which have entered the public domain. It was co-founded by Jonathan Gray and Adam Green.[1] It was launched on January 1, 2011 to coincide with Public Domain Day.[2]

The Review aims to raise awareness of the public domain by promoting public domain works from across the web, including from Europeana, the Internet Archive, and Wikimedia Commons. As well as curated collections of public domain images, texts, and films, it features longer essays from contemporary writers, scholars, and public intellectuals. The Guardian reviewed it as "magnificent ... a model of digital curation",[3] an interview in Vice labelled it "beautifully curated",[4] and The A.V. Club described it as "endlessly and deeply absorbing".[5]

It regularly contributes collections to The New Inquiry,[6] and collections are frequently highlighted by diverse publications including The Huffington Post,[7] The Paris Review,[8] and The New York Times.[9]

Contributors of articles have included Julian Barnes,[10] Frank Delaney[11] Jack Zipes,[12] Richard Hamblyn,[13] Philipp Blom,[14] and Arika Okrent.[15] In addition to the thematic essays, a monthly "Curator's Choice" series highlights professional curators' essays about material from their cultural institutions.[16]

The Review published its first print anthology in late 2014, a collection of 34 essays published online during 2011-13. It was reviewed as "an incredible collection of esoterica" by The Paris Review,[17] and featured as one of Wired's best science books of 2014.[18] A second volume in The Public Domain: Selected Essays print series was published in 2015.

[[Categoría:Entrevistas]]
[[Categoría:Inglés]]
[[Categoría:2015]]
[[Categoría:Adam Green]]

Categoría:Alicia Gibb

2016-04-03T03:45:46Z

Gabriela: Página creada con «[Categoría:Autoras]]»

[Categoría:Autoras]]

Entrevista a Alicia Gibb

2016-04-03T03:45:31Z

Gabriela:

Entrevista:02/04/2016
https://archive.org/details/AliciaGibb

Web:http://aliciagibb.com/

Alicia Gibb is an advocate for open hardware, researcher, and a hardware hacker. She is the founder and CEO of Lunchbox Electronics, a company that creates innovative new products with Imagination and the passion for open source hardware. She conducted a successful Kickstarter called Build Upons for light up LEGO-compatible bricks. Alicia has worked within the open source hardware community since 2008. She is the founder and Executive Director of the Open Source Hardware Association (OSHWA), an organization to educate and promote building and using open source hardware, as well founded the Open Hardware Summit and co-chaired the first two . She also directs the BTU Lab (Blow Things Up) at CU Boulder, where she teaches in the areas of physical computing and information technology. She is a member of NYCResistor, where she has curated two international art shows. Her electronics work has appeared in Wired magazine, IEEE Spectrum, Hackaday and the New York Times. When Alicia is not researching at the crossroads of open technology and innovation she is prototyping work that twitches, blinks, and might even be tasty to eat.

[[Categoría:Entrevistas]]
[[Categoría:Inglés]]
[[Categoría:Alicia Gibb]]
[[Categoría:2016]]

Entrevista a Alicia Gibb

2016-04-03T03:45:01Z

Gabriela: Página creada con «Entrevista:02/04/2016 https://archive.org/details/AliciaGibb Web:http://aliciagibb.com/ Alicia Gibb is an advocate for open hardware, researcher, and a hardware hacker. S...»

Entrevista:02/04/2016
https://archive.org/details/AliciaGibb

Web:http://aliciagibb.com/

Alicia Gibb is an advocate for open hardware, researcher, and a hardware hacker. She is the founder and CEO of Lunchbox Electronics, a company that creates innovative new products with Imagination and the passion for open source hardware. She conducted a successful Kickstarter called Build Upons for light up LEGO-compatible bricks. Alicia has worked within the open source hardware community since 2008. She is the founder and Executive Director of the Open Source Hardware Association (OSHWA), an organization to educate and promote building and using open source hardware, as well founded the Open Hardware Summit and co-chaired the first two . She also directs the BTU Lab (Blow Things Up) at CU Boulder, where she teaches in the areas of physical computing and information technology. She is a member of NYCResistor, where she has curated two international art shows. Her electronics work has appeared in Wired magazine, IEEE Spectrum, Hackaday and the New York Times. When Alicia is not researching at the crossroads of open technology and innovation she is prototyping work that twitches, blinks, and might even be tasty to eat.

[Categoría:Entrevistas]]
[Categoría:Inglés]]
[Categoría:Alicia Gibb]]
[Categoría:2016]]

Entrevista a Fran Ilich

2016-03-25T20:30:39Z

Gabriela:

Entrevista: NY 07/09/2014

https://archive.org/details/FranIlich

Web: http://franilich.com/

PROYECTO FALTA

Fran Ilich Morales is a Mexican writer and media artist who principally works on the theory and practice of narrative media. Born in 1975, during the early 1990s he co-founded the Contra-Cultura (menor) collective and was involved in the independent media scene in Tijuana—mainly the cyberpunk scene—where he was known to be an eclectic producer working with literature, photography, comics, videofilms and electronic music. Because of this, he was identified as part of the Generation X of Mexican literature, with other writers like Guillermo Fadanelli & Naief Yehya. In 1995 he began publishing Cinemátik, a printed tabloid on urban electronic culture. In 1996 he was a screenwriter for Discovery Channel Interacción, a show produced by Beatriz Acevedo. In 1997 he published his first novel, Metro-Pop. In 1998 he was signed by Digital Entertainment Network as creator for a series of 6-minute shows targeting young Latino audiences. However, the series never was produced, as the multimedia dot-com company and internet pioneer went bankrupt. The same year, along with other members of Laboratorios Cinemátik, he produced Cinemátik 1.0, which is considered to be the first cyberculture festival in Latin America. He was part of the initial group of artists and producers who founded Nortec, though he distanced himself from this scene in 1999 and moved to Berlin. There, he became involved with Nettime, collaborating with Florian Schneider, Geert Lovink, Natalie Bookchin, Pit Schultz, Ricardo Dominguez and Alexei Shulgin.

In 2000 Ilich initiated the Borderhack festival on the Mexican side of the Tijuana-San Diego border wall. He then moved to Mexico City to become an editor for the magazine Sputnik Cultura Digital. In 2005, after attending the meetings of the Sixth Declaration of the Lacandon Jungle in Chiapas with Subcomandante Marcos and the EZLN, Ilich launched the autonomous server possibleworlds.org and its economic body spacebank.org. In 2007 the magazine he edited, Sab0t, was presented at Documenta 12 magazines.[1] This same year his novel Tekno Guerrilla, a story about the HEM (Hecho En México) graffiti crew in Tijuana, was published by Verbigracia (Basque Country). His novel Circa 94 was published in Mexico in 2010 and won the Premio Binacional de Novela Joven Frontera de palabras/Border of words award for 2010.[2]

As an artist, Ilich has presented his work as a media artist at cultural institutions and international art and media festivals throughout Europe and the Americas (e.g. Transmediale, Ars Electronica, Berlinale Talent Campus, Walker Art Center,[3] InSite 05,[4] Copenhagen International Documentary Film Festival, Streaming Cinema Festival, Antidoto at Itau Cultural,[5] International Festival of New Film Split, Salón Internacional de Arte Digital de la Habana, among others. Ilich has also presented his work in other fora: In 2009 he was a keynote speaker at the EZLN's first Festival Mundial de la Digna Rabia (first World Festival of Dignified Rage) on a panel on "Otra Comunicación, Otra Cultura", along with Subcomandante Marcos, Comandante Zebedeo, Hermann Bellinghausen, Gloría Muñoz, Sergío Ramírez Lazcano, Francisco Barrios "El Mastuerzo" and Roco of Maldita Vecindad.[6] In 2011 he presented his project Diego de la Vega and Spacebank at The Economist 2011 conference in Mexico City, "Change from the Bottom Up."[7]

Since 2010 Ilich has focused on the cooperative media conglomerate Diego de la Vega and its virtual community investment bank Spacebank.[8] Since 2011 he has been a Fellow at Eyebeam.[9] Ilich is completing an M.A. in the Media Art History program in Donau-Universität Krems in Austria, where he holds the 2010 Leonardo Foundation scholarship.[10] His most recent book is an extended essay on radical political imagination and narrative across media. Titled "Otra Narr@tiva es Posible: La imaginacion política en la era del internet" [Another Narr@ative is Possible: Political Imagination in the Internet Age]. It was published by Recovecos in Argentina in 2011 and is forthcoming from The Institute of Network Cultures in Amsterdam.
Personal life

Fuente:
https://en.wikipedia.org/wiki/Fran_Ilich

[[Categoría:Entrevistas]]
[[Categoría:Español]]
[[Categoría:2014]]
[[Categoría:Fran Ilich]]

Entrevista a Fran Ilich

2016-03-25T20:22:22Z

Gabriela:

Entrevista: NY 07/09/2014
https://archive.org/details/FranIlich

Web: http://franilich.com/

PROYECTO FALTA

Fran Ilich Morales is a Mexican writer and media artist who principally works on the theory and practice of narrative media. Born in 1975, during the early 1990s he co-founded the Contra-Cultura (menor) collective and was involved in the independent media scene in Tijuana—mainly the cyberpunk scene—where he was known to be an eclectic producer working with literature, photography, comics, videofilms and electronic music. Because of this, he was identified as part of the Generation X of Mexican literature, with other writers like Guillermo Fadanelli & Naief Yehya. In 1995 he began publishing Cinemátik, a printed tabloid on urban electronic culture. In 1996 he was a screenwriter for Discovery Channel Interacción, a show produced by Beatriz Acevedo. In 1997 he published his first novel, Metro-Pop. In 1998 he was signed by Digital Entertainment Network as creator for a series of 6-minute shows targeting young Latino audiences. However, the series never was produced, as the multimedia dot-com company and internet pioneer went bankrupt. The same year, along with other members of Laboratorios Cinemátik, he produced Cinemátik 1.0, which is considered to be the first cyberculture festival in Latin America. He was part of the initial group of artists and producers who founded Nortec, though he distanced himself from this scene in 1999 and moved to Berlin. There, he became involved with Nettime, collaborating with Florian Schneider, Geert Lovink, Natalie Bookchin, Pit Schultz, Ricardo Dominguez and Alexei Shulgin.

In 2000 Ilich initiated the Borderhack festival on the Mexican side of the Tijuana-San Diego border wall. He then moved to Mexico City to become an editor for the magazine Sputnik Cultura Digital. In 2005, after attending the meetings of the Sixth Declaration of the Lacandon Jungle in Chiapas with Subcomandante Marcos and the EZLN, Ilich launched the autonomous server possibleworlds.org and its economic body spacebank.org. In 2007 the magazine he edited, Sab0t, was presented at Documenta 12 magazines.[1] This same year his novel Tekno Guerrilla, a story about the HEM (Hecho En México) graffiti crew in Tijuana, was published by Verbigracia (Basque Country). His novel Circa 94 was published in Mexico in 2010 and won the Premio Binacional de Novela Joven Frontera de palabras/Border of words award for 2010.[2]

As an artist, Ilich has presented his work as a media artist at cultural institutions and international art and media festivals throughout Europe and the Americas (e.g. Transmediale, Ars Electronica, Berlinale Talent Campus, Walker Art Center,[3] InSite 05,[4] Copenhagen International Documentary Film Festival, Streaming Cinema Festival, Antidoto at Itau Cultural,[5] International Festival of New Film Split, Salón Internacional de Arte Digital de la Habana, among others. Ilich has also presented his work in other fora: In 2009 he was a keynote speaker at the EZLN's first Festival Mundial de la Digna Rabia (first World Festival of Dignified Rage) on a panel on "Otra Comunicación, Otra Cultura", along with Subcomandante Marcos, Comandante Zebedeo, Hermann Bellinghausen, Gloría Muñoz, Sergío Ramírez Lazcano, Francisco Barrios "El Mastuerzo" and Roco of Maldita Vecindad.[6] In 2011 he presented his project Diego de la Vega and Spacebank at The Economist 2011 conference in Mexico City, "Change from the Bottom Up."[7]

Since 2010 Ilich has focused on the cooperative media conglomerate Diego de la Vega and its virtual community investment bank Spacebank.[8] Since 2011 he has been a Fellow at Eyebeam.[9] Ilich is completing an M.A. in the Media Art History program in Donau-Universität Krems in Austria, where he holds the 2010 Leonardo Foundation scholarship.[10] His most recent book is an extended essay on radical political imagination and narrative across media. Titled "Otra Narr@tiva es Posible: La imaginacion política en la era del internet" [Another Narr@ative is Possible: Political Imagination in the Internet Age]. It was published by Recovecos in Argentina in 2011 and is forthcoming from The Institute of Network Cultures in Amsterdam.
Personal life

Fuente:
https://en.wikipedia.org/wiki/Fran_Ilich

[[Categoría:Entrevistas]]
[[Categoría:Español]]
[[Categoría:2014]]
[[Categoría:Fran Ilich]]

Entrevista a Michel Bauwens

2016-03-25T19:02:11Z

Gabriela: Página creada con «Entrevista:25/03/2016 https://archive.org/details/MichelBauwens Web:http://p2pfoundation.net/Michel_Bauwens Michel Bauwens is the founder of the Foundation for Peer-to-Pe...»

Entrevista:25/03/2016
https://archive.org/details/MichelBauwens

Web:http://p2pfoundation.net/Michel_Bauwens

Michel Bauwens is the founder of the Foundation for Peer-to-Peer Alternatives and works in collaboration with a global group of researchers in the exploration of peer production, governance, and property. He has co-produced the 3-hour TV documentary Technocalyps with Frank Theys, and co-edited the two-volume book on anthropology of digital society with Salvino Salvaggio. Michel is currently Primavera Research Fellow at the University of Amsterdam and external expert at the Pontifical Academy of Social Sciences (2008, 2012). In Belgium, he published a best-selling interview transcript, with Jean Lievens, 'De Wereld Redden, met peer to peer naar een post-kapitalistische samenleving', which is nearing its third printing after a few weeks (February 2014).

Michel Bauwens is a member of the Board of the Union of International Associations (Brussels), advisor to Shareable magazine (San Francisco), to Zumbara Time Bank (Istanbul) and ShareLex. He is also scientific advisor to the "Association Les Rencontres du Mont-Blanc, Forum International des Dirigeants de l’Economie Sociale et Solidaire" (2013-) and in the Advisory Board for the 'Fourth International Conference on Degrowth for Ecological Sustainability and Social Equity'. He functioned as the Chair of the Technology/ICT working group, Hangwa Forum (Beijing, Sichuan), to develop economic policies for long-term resilience, including through distributed manufacturing. He writes editorials for Al Jazeera English [1]. He is listed at #82, on the Post-Carbon Institute (En)Rich list, http://enrichlist.org/the-list/ . Currently (2013), Michel Bauwens is research director of the transition project towards the social knowledge economy, an official project in Ecuador (see floksociety.org).

In the first semester of 2014, Michel Bauwens was research director of the floksociety.org research group, which produced the first integrated Commons Transition Plan for the government of Ecuador, in order to create a 'social knowledge economy', with fifteen associated policy papers. One version of the plan is available at http://en.wiki.floksociety.org/w/Research_Plan .

Michel currently lives in Chiang Mai, Thailand, has taught at Payap University and Dhurakij Pandit University's International College, as well as IBICT, Rio de Janeiro. He is a founding member of the Commons Strategies Group, with Silke Helfrich and David Bollier, organizing major global conferences on the commons and its economics. In his first business career, Michel worked for USIA, British Petroleum, riverland Publications, Belgacom, and created two internet start-ups, respectively on intranet/extranets (E-Com) and interactive marketing (KyberCo), which were sold to Alcatel and Tagora Holdings.

[[Categoría:Entrevistas]]
[[Categoría:Inglés]]
[[Categoría:2016]]
[[Categoría:Michel Bauwens]]