VVAA (2012) New Aesthetic New Anxieties - Historial de revisiones

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2021-12-05T19:05:46Z

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2021-11-30T06:30:24Z

Enlaces

Paz en 06:29 30 nov 2021

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Miguel en 17:50 12 may 2017

2017-05-12T17:50:20Z

Paz en 04:30 2 abr 2016

2016-04-02T04:30:01Z

Paz: Paz movió la página New Aesthetic New Anxieties a VVAA (2012) New Aesthetic New Anxieties sin dejar una redirección

2016-04-02T04:29:43Z

Paz movió la página New Aesthetic New Anxieties a VVAA (2012) New Aesthetic New Anxieties sin dejar una redirección

Gabriela: Página creada con «'''David M. Berry, Michel van Dartel, Michael Dieter, Michelle Kasprzak, Nat Muller, Rachel O'Reilly, José Luis de Vicente (2012].''New Aesthetic New Anxieties''.Roterdam....»

2016-03-04T18:21:20Z

Página creada con «'''David M. Berry, Michel van Dartel, Michael Dieter, Michelle Kasprzak, Nat Muller, Rachel O'Reilly, José Luis de Vicente (2012].''New Aesthetic New Anxieties''.Roterdam....»

Página nueva

'''David M. Berry, Michel van Dartel, Michael Dieter, Michelle Kasprzak, Nat Muller, Rachel O'Reilly, José Luis de Vicente (2012].''New Aesthetic New Anxieties''.Roterdam. Institute for the Unstable Media.'''

Enlace:http://v2.nl/publishing/new-aesthetic-new-anxieties

Wayback Machine:https://web.archive.org/web/*/http://v2.nl/publishing/new-aesthetic-new-anxieties

Resumen:The New Aesthetic was a design concept and netculture phenomenon launched into the world by London designer James Bridle in 2011. It continues to attract the attention of media art, and throw up associations to a variety of situated practices, including speculative design, net criticism, hacking, free and open source software development, locative media, sustainable hardware and so on. This is how we have considered the New Aesthetic: as an opportunity to rethink the relations between these contexts in the emergent episteme of computationality. There is a desperate need to confront the political pressures of neoliberalism manifested in these infrastructures. Indeed, these are risky, dangerous and problematic times; a period when critique should thrive. But here we need to forge new alliances, invent and discover problems of the common that nevertheless do not eliminate the fundamental differences in this ecology of practices. In this book, perhaps provocatively, we believe a great deal could be learned from the development of the New Aesthetic not only as a mood, but as a topic and fix for collective feeling, that temporarily mobilizes networks. Is it possible to sustain and capture these atmospheres of debate and discussion beyond knee-jerk reactions and opportunistic self-promotion? These are crucial questions that the New Aesthetic invites us to consider, if only to keep a critical network culture in place.

[[Categoría:Biblioteca]]
[[Categoría:Institute for the Unstable Media]]
[[Categoría:David M. Berry]]
[[Categoría:Michel van Dartel]]
[[Categoría:Michael Dieter]]
[[Categoría:Michelle Kasprzak]]
[[Categoría:Nat Muller]]
[[Categoría:Rachel O'Reilly]]
[[Categoría:José Luis de Vicente]]
[[Categoría:Inglés]]
[[Categoría:Holanda]]
[[Categoría:2012]]

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 == <small>'''Enlaces'''</small> ==
-''URL:''':http://v2.nl/publishing/new-aesthetic-new-anxieties
+'''URL:''':http://v2.nl/publishing/new-aesthetic-new-anxieties
 '''Wayback Machine:'''https://web.archive.org/web/*/http://v2.nl/publishing/new-aesthetic-new-anxieties
@@ Línea 14: / Línea 14: @@
 [[Categoría:Arte]]
 [[Categoría:Cultura]]
-[[Categoría:Pirateria]]
+[[Categoría:Piratería]]
 [[Categoría:Open source hardware]]
 [[Categoría:Open source software]]

← Revisión anterior		Revisión del 04:30 2 abr 2016
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−	'''David M. Berry, Michel van Dartel, Michael Dieter, Michelle Kasprzak, Nat Muller, Rachel O'Reilly, José Luis de Vicente (2012].''New Aesthetic New Anxieties''.Roterdam. Institute for the Unstable Media.'''
−
	Enlace:http://v2.nl/publishing/new-aesthetic-new-anxieties		Enlace:http://v2.nl/publishing/new-aesthetic-new-anxieties

@@ Línea 12: / Línea 12: @@
 [[Categoría:Biblioteca]]
 [[Categoría:V2 Lab for the Unstable Media]]
 [[Categoría:David M. Berry]]

@@ Línea 1: / Línea 1: @@
-Wayback Machine:https://web.archive.org/web/*/http://v2.nl/publishing/new-aesthetic-new-anxieties
+== <small>'''Resumen'''</small> ==
-Resumen:The New Aesthetic was a design concept and netculture phenomenon launched into the world by London designer James Bridle in 2011. It continues to attract the attention of media art, and throw up associations to a variety of situated practices, including speculative design, net criticism, hacking, free and open source software development, locative media, sustainable hardware and so on. This is how we have considered the New Aesthetic: as an opportunity to rethink the relations between these contexts in the emergent episteme of computationality. There is a desperate need to confront the political pressures of neoliberalism manifested in these infrastructures. Indeed, these are risky, dangerous and problematic times; a period when critique should thrive. But here we need to forge new alliances, invent and discover problems of the common that nevertheless do not eliminate the fundamental differences in this ecology of practices. In this book, perhaps provocatively, we believe a great deal could be learned from the development of the New Aesthetic not only as a mood, but as a topic and fix for collective feeling, that temporarily mobilizes networks. Is it possible to sustain and capture these atmospheres of debate and discussion beyond knee-jerk reactions and opportunistic self-promotion? These are crucial questions that the New Aesthetic invites us to consider, if only to keep a critical network culture in place.
+The New Aesthetic was a design concept and netculture phenomenon launched into the world by London designer James Bridle in 2011. It continues to attract the attention of media art, and throw up associations to a variety of situated practices, including speculative design, net criticism, hacking, free and open source software development, locative media, sustainable hardware and so on. This is how we have considered the New Aesthetic: as an opportunity to rethink the relations between these contexts in the emergent episteme of computationality. There is a desperate need to confront the political pressures of neoliberalism manifested in these infrastructures. Indeed, these are risky, dangerous and problematic times; a period when critique should thrive. But here we need to forge new alliances, invent and discover problems of the common that nevertheless do not eliminate the fundamental differences in this ecology of practices. In this book, perhaps provocatively, we believe a great deal could be learned from the development of the New Aesthetic not only as a mood, but as a topic and fix for collective feeling, that temporarily mobilizes networks. Is it possible to sustain and capture these atmospheres of debate and discussion beyond knee-jerk reactions and opportunistic self-promotion? These are crucial questions that the New Aesthetic invites us to consider, if only to keep a critical network culture in place.
 [[Categoría:Biblioteca]]
 [[Categoría:V2 Lab for the Unstable Media]]
 [[Categoría:David M. Berry]]

← Revisión anterior	Revisión del 04:29 2 abr 2016
(Sin diferencias)