Diferencia entre revisiones de «2014 - Big Data Manifesto - Molleindustria»
(Página creada con «miniaturadeimagen|derecha|http://molleindustria.org/files/BIG-DATA.html copia de 21-03-2018 == <small>'''...») |
|||
Línea 2: | Línea 2: | ||
== <small>'''Texto'''</small> == | == <small>'''Texto'''</small> == | ||
+ | |||
+ | (The signatories of this | ||
+ | manifesto live in France, | ||
+ | America, Spain, Germany, | ||
+ | Italy, Switzerland, | ||
+ | Belgium, etc. but have | ||
+ | no nationality.) | ||
+ | |||
+ | BIG DATA EXCITES EVERYTHING | ||
+ | ________________________________________ | ||
+ | |||
+ | BIG DATA knows everything. BIG DATA spits everything out. | ||
+ | |||
+ | BUT . . . . . . . . . | ||
+ | |||
+ | HAS BIG DATA EVER SPOKEN TO YOU: | ||
+ | |||
+ | about Italy | ||
+ | |||
+ | about accordions | ||
+ | |||
+ | about women's pants | ||
+ | |||
+ | about the fatherland | ||
+ | |||
+ | about sardines | ||
+ | |||
+ | about Fiume | ||
+ | |||
+ | about Art (you exaggerate my friend) | ||
+ | |||
+ | about gentleness | ||
+ | |||
+ | about D'Annunzio | ||
+ | |||
+ | what a horror | ||
+ | |||
+ | about heroism | ||
+ | |||
+ | about mustaches | ||
+ | |||
+ | about lewdness | ||
+ | |||
+ | about sleeping with Verlaine | ||
+ | |||
+ | about the ideal (it's nice) | ||
+ | |||
+ | about Massachusetts | ||
+ | |||
+ | about the past | ||
+ | |||
+ | about odors | ||
+ | |||
+ | about salads | ||
+ | |||
+ | about genius, about genius, about genius | ||
+ | |||
+ | about the eight-hour day | ||
+ | |||
+ | about the Parma violets | ||
+ | |||
+ | NEVER NEVER NEVER | ||
+ | |||
+ | BIG DATA doesn't speak. BIG DATA has no fixed idea. BIG DATA doesn't catch flies. | ||
+ | |||
+ | THE MINISTRY IS OVERTURNED. BY WHOM? | ||
+ | |||
+ | BY BIG DATA | ||
+ | |||
+ | The Futurist is dead. Of What? Of BIG DATA | ||
+ | |||
+ | A Young girl commits suicide. Because of What? BIG DATA | ||
+ | |||
+ | The spirits are telephoned. Who invented it? BIG DATA | ||
+ | |||
+ | Someone walks on your feet. It's BIG DATA | ||
+ | |||
+ | If you have serious ideas about life, | ||
+ | |||
+ | If you make artistic discoveries | ||
+ | |||
+ | and if all of a sudden your head begins to crackle with laughter, | ||
+ | |||
+ | If you find all your ideas useless and ridiculous, know that | ||
+ | |||
+ | IT IS BIG DATA BEGINNING TO SPEAK TO YOU | ||
+ | |||
+ | cubism constructs a cathedral of artistic liver paste | ||
+ | |||
+ | WHAT DOES BIG DATA DO? | ||
+ | |||
+ | expressionism poisons artistic sardines | ||
+ | |||
+ | WHAT DOES BIG DATA DO? | ||
+ | |||
+ | simultaneism is still at its first artistic communion | ||
+ | |||
+ | WHAT DOES BIG DATA DO? | ||
+ | |||
+ | futurism wants to mount in an artistic lyricism-elevator | ||
+ | |||
+ | WHAT DOES BIG DATA DO? | ||
+ | |||
+ | unanism embraces allism and fishes with an artistic line | ||
+ | |||
+ | WHAT DOES BIG DATA DO? | ||
+ | |||
+ | neo-classicism discovers the good deeds of artistic art | ||
+ | |||
+ | WHAT DOES BIG DATA DO? | ||
+ | |||
+ | paroxysm makes a trust of all artistic cheeses | ||
+ | |||
+ | WHAT DOES BIG DATA DO? | ||
+ | |||
+ | ultraism recommends the mixture of these seven artistic things | ||
+ | |||
+ | WHAT DOES BIG DATA DO? | ||
+ | |||
+ | creationism vorticism imagism also propose some artistic recipes | ||
+ | |||
+ | WHAT DOES BIG DATA DO? | ||
+ | |||
+ | WHAT DOES BIG DATA DO? | ||
+ | |||
+ | 50 francs reward to the person who finds the best | ||
+ | |||
+ | way to explain BIG DATA to us | ||
+ | |||
+ | BIG DATA passes everything through a new net. | ||
+ | |||
+ | BIG DATA is the bitterness which opens its laugh on all that which has been made consecrated forgotten in our language in our brain in our habits. | ||
+ | |||
+ | It says to you: There is Humanity and the lovely idiocies which have made it happy to this advanced age | ||
+ | |||
+ | BIG DATA HAS ALWAYS EXISTED | ||
+ | |||
+ | THE HOLY VIRGIN WAS ALREADY A BIG DATAIST | ||
+ | |||
+ | BIG DATA IS NEVER RIGHT | ||
+ | |||
+ | Citizens, comrades, ladies, gentlemen | ||
+ | |||
+ | Beware of forgeries! | ||
+ | |||
+ | Imitators of BIG DATA want to present BIG DATA in an artistic form which it has never had | ||
+ | |||
+ | CITIZENS, | ||
+ | |||
+ | You are presented today in a pornographic form, a vulgar and baroque spirit which is not the PURE IDIOCY claimed by BIG DATA | ||
+ | BUT DOGMATISM AND PRETENTIOUS IMBECILITY | ||
+ | |||
+ | ________________________________________ | ||
+ | |||
+ | Paris January 12, 1921 | ||
+ | |||
+ | E. Varèse, Tr. Tzara, Ph. Soupault, | ||
+ | |||
+ | Soubeyran, J. Rigaut, G. Ribe- | ||
+ | |||
+ | mont-Dessaignes, M. Ray, F. Pi- | ||
+ | |||
+ | cabia, B. Péret, C. Pausaers | ||
+ | R.Hülsenbeeks, J. Evola, M. Ernst, | ||
+ | |||
+ | P. Eluard, Suz. Duchamp, M. Du- | ||
+ | |||
+ | champ, Crotti, G. Cantarelli, Marg. | ||
+ | |||
+ | Buffet, Gab. Buffet, a. Breton | ||
+ | |||
+ | Baargeld, Arp., W. C. Arensberg, | ||
+ | |||
+ | L. Aragon | ||
+ | |||
+ | For all information | ||
+ | |||
+ | write "AU SANS PAREIL" | ||
+ | |||
+ | 37, Avenue Kléber. | ||
+ | |||
+ | Tel. PASSY 25-22 | ||
+ | |||
== <small>'''Contexto'''</small> == | == <small>'''Contexto'''</small> == | ||
== <small>'''Autoras'''</small> == | == <small>'''Autoras'''</small> == |
Revisión del 19:10 21 mar 2018
Texto
(The signatories of this manifesto live in France, America, Spain, Germany, Italy, Switzerland, Belgium, etc. but have no nationality.)
BIG DATA EXCITES EVERYTHING ________________________________________
BIG DATA knows everything. BIG DATA spits everything out.
BUT . . . . . . . . .
HAS BIG DATA EVER SPOKEN TO YOU:
about Italy
about accordions
about women's pants
about the fatherland
about sardines
about Fiume
about Art (you exaggerate my friend)
about gentleness
about D'Annunzio
what a horror
about heroism
about mustaches
about lewdness
about sleeping with Verlaine
about the ideal (it's nice)
about Massachusetts
about the past
about odors
about salads
about genius, about genius, about genius
about the eight-hour day
about the Parma violets
NEVER NEVER NEVER
BIG DATA doesn't speak. BIG DATA has no fixed idea. BIG DATA doesn't catch flies.
THE MINISTRY IS OVERTURNED. BY WHOM?
BY BIG DATA
The Futurist is dead. Of What? Of BIG DATA
A Young girl commits suicide. Because of What? BIG DATA
The spirits are telephoned. Who invented it? BIG DATA
Someone walks on your feet. It's BIG DATA
If you have serious ideas about life,
If you make artistic discoveries
and if all of a sudden your head begins to crackle with laughter,
If you find all your ideas useless and ridiculous, know that
IT IS BIG DATA BEGINNING TO SPEAK TO YOU
cubism constructs a cathedral of artistic liver paste
WHAT DOES BIG DATA DO?
expressionism poisons artistic sardines
WHAT DOES BIG DATA DO?
simultaneism is still at its first artistic communion
WHAT DOES BIG DATA DO?
futurism wants to mount in an artistic lyricism-elevator
WHAT DOES BIG DATA DO?
unanism embraces allism and fishes with an artistic line
WHAT DOES BIG DATA DO?
neo-classicism discovers the good deeds of artistic art
WHAT DOES BIG DATA DO?
paroxysm makes a trust of all artistic cheeses
WHAT DOES BIG DATA DO?
ultraism recommends the mixture of these seven artistic things
WHAT DOES BIG DATA DO?
creationism vorticism imagism also propose some artistic recipes
WHAT DOES BIG DATA DO?
WHAT DOES BIG DATA DO?
50 francs reward to the person who finds the best
way to explain BIG DATA to us
BIG DATA passes everything through a new net.
BIG DATA is the bitterness which opens its laugh on all that which has been made consecrated forgotten in our language in our brain in our habits.
It says to you: There is Humanity and the lovely idiocies which have made it happy to this advanced age
BIG DATA HAS ALWAYS EXISTED
THE HOLY VIRGIN WAS ALREADY A BIG DATAIST
BIG DATA IS NEVER RIGHT
Citizens, comrades, ladies, gentlemen
Beware of forgeries!
Imitators of BIG DATA want to present BIG DATA in an artistic form which it has never had
CITIZENS,
You are presented today in a pornographic form, a vulgar and baroque spirit which is not the PURE IDIOCY claimed by BIG DATA BUT DOGMATISM AND PRETENTIOUS IMBECILITY
________________________________________
Paris January 12, 1921
E. Varèse, Tr. Tzara, Ph. Soupault,
Soubeyran, J. Rigaut, G. Ribe-
mont-Dessaignes, M. Ray, F. Pi-
cabia, B. Péret, C. Pausaers R.Hülsenbeeks, J. Evola, M. Ernst,
P. Eluard, Suz. Duchamp, M. Du-
champ, Crotti, G. Cantarelli, Marg.
Buffet, Gab. Buffet, a. Breton
Baargeld, Arp., W. C. Arensberg,
L. Aragon
For all information
write "AU SANS PAREIL"
37, Avenue Kléber.
Tel. PASSY 25-22