1996 - The......... Manifesto - Michel Betancourt

Texto

Today,_________itself is obsolete. In documenting art on the basis of _______: we are human and true for the sake of _______, and _______. At the crossroads of the lights, alert, attentively awaiting _______.

If you find it futile and don't want to waste your time on a _______ hat means nothing, consider that here we cast _______ on fertile ground. Here we have a right to do some prospecting, for we have ________. We are ghosts drunk on energy, we dig into __________.

We are a _______ as tropically abundant as _______, which is the art of making ________ established as _______ on a canvas before our eyes, yet today the striving for _______ in a work of art seems _______ to art. Art is a ________ concept, exalted as ________, inexplicable as life, indefinable and ________. The work of art comes into being through the ________ of the elements.

The medium is as _______ as the artist. Essential only is the forming, and because the medium is _______, any _______ whatsoever will _________.

______ is the name for such art.

_______ stands for freedom. _______

changes meaning with the change in the insight of those who view it. Every artist must be allowed to mold a picture out of _______. The ________ of natural elements is ________to a work of art. Instead, it is the artist who ________ to produce _______, in order to make a better art.

Manifesto written by Michael Betancourt, 1996

Enlaces

URL: https://web.archive.org/web/19970215102148/http://www.mosquito.com/~mwb2/the_mvmt/