1996 - The......... Manifesto - Michel Betancourt
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Today,_________itself is obsolete. In documenting art on the basis of _______: we are human and true for the sake of _______, and _______. At the crossroads of the lights, alert, attentively awaiting _______.
If you find it futile and don't want to waste your time on a
_______ hat means nothing, consider that here we
cast _______ on fertile ground. Here we have a right
to do some prospecting, for we have ________.
We are ghosts drunk on energy, we dig into __________.
We are a _______ as tropically abundant as
_______, which is the art of making
________ established as _______ on a
canvas before our eyes, yet today the striving for
_______ in a work of art seems
_______
to art. Art is a ________ concept, exalted as
________, inexplicable as life, indefinable and
________. The work of art comes into being through
the ________ of the elements.
The medium is as _______ as the artist.
Essential only
is the forming, and because the medium is
_______,
any _______ whatsoever will
_________.
______ is the name for such art.
_______ stands for freedom. _______
changes meaning with the change in the insight of those who view it. Every artist must be allowed to mold a picture out of _______. The ________ of natural elements is ________to a work of art. Instead, it is the artist who ________ to produce _______, in order to make a better art.
Manifesto written by Michael Betancourt, 1996
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URL: https://web.archive.org/web/19970215102148/http://www.mosquito.com/~mwb2/the_mvmt/