1996 - The......... Manifesto - Michel Betancourt

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Today,_________itself is obsolete. In documenting

art

on the basis of _______: we are human and true

for the sake of _______, and

_______. At the crossroads of the lights, alert,

attentively awaiting _______.


If you find it futile and don't want to waste your time on a

_______ hat means nothing, consider that here we

cast _______ on fertile ground. Here we have a right

to do some prospecting, for we have ________.

We are ghosts drunk on energy, we dig into __________.


We are a _______ as tropically abundant as

_______, which is the art of making

________ established as _______ on a

canvas before our eyes, yet today the striving for

_______ in a work of art seems

_______

to art. Art is a ________ concept, exalted as

________, inexplicable as life, indefinable and

________. The work of art comes into being through

the ________ of the elements.


The medium is as _______ as the artist. Essential

only

is the forming, and because the medium is _______,

any _______ whatsoever will _________.


______ is the name for such art.

_______ stands for freedom. _______

changes meaning with the change in the insight of those who

view

it. Every artist must be allowed to mold a picture out of

_______. The ________ of natural

elements is ________to a work of art. Instead, it is

the

artist who ________ to produce _______,

in order to make a better art.


Restablecer


Manifesto written by Michael Betancourt, 1996

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Wayback Machine: https://web.archive.org/web/19970215102148/http://www.mosquito.com/~mwb2/the_mvmt/