Diferencia entre revisiones de «Tatiana Bazzichelli (2008) Networking. The Net as Artwork»

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== <small>'''Resumen'''</small> ==
 
== <small>'''Resumen'''</small> ==
  
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The concept that networking is art is loaded with meaning, since it unites two seemingly different worlds: the practices of networking with that of art. In this context, however, the two are perfectly integrated. To network means to create relationship networks, in order to share experiences and ideas in the context of a communicative exchange, and an artistic experimentation in which the sender and the receiver, the artist and the public, act on the same plane. [...]
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Networking means to create nets of relations, where the publisher and the reader, the artist and the audience, act on the same level. The book is a first tentative reconstruction of the history of artistic networking in Italy, through an analysis of media and art projects which during the past twenty years have given way to a creative, shared and aware use of technologies, from video to computers, contributing to the creation of Italian hacker communities.
  
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This book wants to shed light on a series of activities that starting from the 1980s, in and outside of Italy, has transformed the conception of art as object into art as a network of relationships, possibilities of personally and collectively intervening in the creation of an artistic product. The formation of art as networking laid down its theoretical and practical bases a long time ago.<br />
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The Italian network proposes a form of critical information, disseminated through independent and collective projects where the idea of freedom of expression is a central theme. In Italy, thanks to the alternative use of Internet, during the past twenty years a vast national network of people who share political, cultural and artistic views has been formed.
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(Tatiana Bazzichelli, Introduction to Networking. The Net as Network)
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The book describes the evolution of the Italian hacktivism and net culture from the 1980s till today. It builds a reflection on the new role of the artist and author who becomes a networker, operating in collective nets, reconnecting to Neoavant-garde practices of the 1960s (first and foremost Fluxus), but also mail art, Neoism and Luther Blissett. A path which began in BBSes, alternative web platforms spread in Italy through the 1980s even before the Internet even existed, and then moved on to Hackmeetings, to Telestreet and networking art by different artists such as 0100101110101101.ORG, [epidemiC], Jaromil, Giacomo Verde, Giovanotti Mondani Meccanici, Correnti Magnetiche, Candida TV, Tommaso Tozzi, Federico Bucalossi, Massimo Contrasto, Mariano Equizzi, Pigreca, Molleindustria, Guerriglia Marketing, Sexyshock, Phag Off and many others.
  
 
== <small>'''Archivo'''</small> ==
 
== <small>'''Archivo'''</small> ==
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'''URL:''' <br />
 
'''URL:''' <br />
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http://darc.imv.au.dk/wp-content/files/networking_bazzichelli.pdf (inglés)
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http://darc.imv.au.dk/wp-content/files/networking_bazzichelli.pdf (inglés)<br />
 
http://www.networkingart.eu/pdf/Networking.pdf (italiano)
 
http://www.networkingart.eu/pdf/Networking.pdf (italiano)
  
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[[Categoría:Biblioteca]]
 
[[Categoría:Biblioteca]]
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[[Categoría:Comunes digitales]]
 
[[Categoría:Inglés]]
 
[[Categoría:Inglés]]
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[[Categoría:Italiano]]
 
[[Categoría:2008]]
 
[[Categoría:2008]]
 
[[Categoría:Tatiana Bazzichelli]]
 
[[Categoría:Tatiana Bazzichelli]]
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[[Categoría: Costa & Nolan]]
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[[Categoría:Digital Aesthetics Research Center]]
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[[Categoría:Dinamarca]]

Revisión actual del 18:15 5 dic 2021

Networking bazzichelli-en-img.jpg

Resumen

Networking means to create nets of relations, where the publisher and the reader, the artist and the audience, act on the same level. The book is a first tentative reconstruction of the history of artistic networking in Italy, through an analysis of media and art projects which during the past twenty years have given way to a creative, shared and aware use of technologies, from video to computers, contributing to the creation of Italian hacker communities.

The Italian network proposes a form of critical information, disseminated through independent and collective projects where the idea of freedom of expression is a central theme. In Italy, thanks to the alternative use of Internet, during the past twenty years a vast national network of people who share political, cultural and artistic views has been formed.

The book describes the evolution of the Italian hacktivism and net culture from the 1980s till today. It builds a reflection on the new role of the artist and author who becomes a networker, operating in collective nets, reconnecting to Neoavant-garde practices of the 1960s (first and foremost Fluxus), but also mail art, Neoism and Luther Blissett. A path which began in BBSes, alternative web platforms spread in Italy through the 1980s even before the Internet even existed, and then moved on to Hackmeetings, to Telestreet and networking art by different artists such as 0100101110101101.ORG, [epidemiC], Jaromil, Giacomo Verde, Giovanotti Mondani Meccanici, Correnti Magnetiche, Candida TV, Tommaso Tozzi, Federico Bucalossi, Massimo Contrasto, Mariano Equizzi, Pigreca, Molleindustria, Guerriglia Marketing, Sexyshock, Phag Off and many others.

Archivo

Archivo:Networking bazzichelli-en.pdf

Fuente

Networking Art

Enlaces

URL:
http://darc.imv.au.dk/wp-content/files/networking_bazzichelli.pdf (inglés)
http://www.networkingart.eu/pdf/Networking.pdf (italiano)

Wayback Machine:
http://web.archive.org/web/20160812024708/http://darc.imv.au.dk/wp-content/files/networking_bazzichelli.pdf (inglés) http://web.archive.org/web/20170122233945/http://www.networkingart.eu/pdf/Networking.pdf (italiano)

Obtenido de «http://dpya.org/wiki/index.php?title=Tatiana_Bazzichelli_(2008)_Networking._The_Net_as_Artwork&oldid=234136»